Coming to America

Posted on July 6th, 2018 by

Museum Matters: July 2018

Happy 5th of July.  I don’t mean to take anything away from the 4th (hope you saw some awesome fireworks) but just to point out that there is always a day after. The 5th reminds us that the American experiment wasn’t completed in a single day ( in fact even the Declaration wasn’t completed in a day – the official copy is actually signed on August 2).

This summer we use the story of Houdini as a platform for examining the struggles of immigrants in the late 19th and early 20th centuries. Even before the concept of “illegal immigration” was invented with the Chinese Exclusion Act, life for newcomers was no picnic. On the 15th of July David Saltman speaks about the Weiss family’s journey to America and the forces that shaped the life of young Ehrich, the boy who would become Harry Houdini. On the 19th of August, Nicholas Fessenden zooms out to look at the Weiss story in the context of the great wave of immigration at the turn of the century.

So let’s join our neighbors in celebrating Jefferson, Adams and Washington but also set aside some time this summer to acknowledge Brandeis, Szold, Einstein, and even Houdini — all a part of our “nation of nations” — who helped build American justice, science and culture.

~Marvin


Upcoming programs
All programs take place at the Jewish Museum of Maryland unless otherwise noted. Please contact our Programs Manager at tattwood@jewishmuseummd.org / 443-873-5177 with any questions or for more information.

JULY

Sunday, July 15th at 1:00pm

Houdini Unbound
Speaker: David Saltman, author of ​Houdini Unbound
Get Tickets Now

Sunday, July 29th at 1:00pm

Mrs. Houdini: The Woman Behind the Magician
Speaker: Victoria Kelly, author of ​Mrs. Houdini
Get Tickets Now

​August

August 6 – August 8, 2018

Summer Teachers Institute 2018
Lessons of the Shoah: Primary Sources in the Classroom
Register Here

Sunday, August 19, 2018 at 1:00pm

American Immigration During Houdini’s Day, 1878-1924
Speaker: Dr. Nicholas Fessenden, Baltimore Immigration Museum
Get Tickets Now

Sunday, August 26, 2018 at 1:00pm

My Shtetl Baltimore
Speaker: Eli Schlossberg, author of ​My Shtetl Baltimore
Get Tickets Now

>>View the full JMM calendar of events here.<<


Also of Interest
The JMM is pleased to share our campus with B’nai Israel Congregation. For additional information about B’nai Israel events and services for Shabbat, please visit bnaiisraelcongregation.org.  For more of this month’s events from BIYA, please visit biyabaltimore.org or check out BIYA on Facebook.

​Creative Alliance at B’nai Israel

World Acappela: Iberi Choir of Georgia
Thursday, July 25th at 7:30pm
Location: B’nai Israel Synagogue
Get Tickets Now


Esther’s Place

The whole city has Houdini fever, including Esther’s Place! We’ve got simple magic tricks to astound your friends, thoughtful biographies, blank books to capture the stories of your own amazing challenges, mugs that capture those haunting eyes, and even a cut-out greeting card of the master escape artist himself. Come cool off in our well-air-conditioned gallery, and then visit us in Esther’s Place to take a reminder of your experience with you.

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Intern Weekly Response: Museum Accessibility

Posted on July 5th, 2018 by

Every week we’re asking our summer interns to share some thoughts and responses to various experiences and readings. This week we asked them to reflect on a recent Museum Accessibility workshop led by our visitor services coordinator Paige Woodhouse and to read and respond to a selection of articles – including suggestions for JMM to apply. To read more posts from JMM interns, past and present, click here.


Museums and Accessibility: What’s in a Label?

~Intern Cara Bennet

Labels play a huge role in making museum exhibits accessible to a diverse audience. A label’s content, language, format, and style all have an impact on a visitor’s experience and their ability to understand and retain the information being presented. As I’ve learned through my museum studies courses, the best labels use clear, concise, simple language that can be understood by visitors of varying age ranges and educational backgrounds. The Smithsonian’s guidelines for accessible exhibit design argues for the use of active voice in labels, explaining that “people who have difficulty reading English are most successful when the active voice is used in short sentences. Subject-verb-object sentence structure ensures better understanding.” While many of the JMM’s individual object captions in its permanent exhibit “Voices of Lombard Street” are clear and concise, many of the exhibit’s introductory text panels are quite long and wordy. These panels also use words that may be unfamiliar or difficult for some visitors such as “artery” or “knell.”

Label styles and formats also play an important role in making an exhibit accessible to a wider audience. Many museums offer labels in braille and other languages for people that have vision impairments or are non-native English speakers. Even small design details like font type, size, spacing, and color contrast (all things I’ve never really considered before) play a huge role in making labels more accessible for visitors with disabilities.

White text on a yellow background was not the best design choice for these labels. The Smithsonian’s guidelines explain that “contrast is an essential element for people with low vision.”

While the JMM has done a great job making its accessible by offering large print and braille exhibit guides, I would suggest making the following changes to make its exhibits even more accessible to visitors. In addition to offering large print and braille exhibit guides, the JMM should also offer visitors exhibit guides in foreign languages. Currently these guides are kept at the front desk and must be requested by visitors. I would suggest that the JMM make it clear that these guides are available either by displaying them at the exhibit entrance or posting signs near the exhibit entrance notifying visitors that these guides are available. I would also suggest that museum includes braille and foreign language labels within the actual exhibit, but I understand that working with a small museum’s budget and limited exhibition space this isn’t always an option. I would also suggest that the JMM simplify and condense some of the text panels in its permanent exhibit to make the content more accessible to a wider audience. I would also suggest that the JMM replace all low-contrast labels to make them easier for all visitors to read.

The San Diego Natural History Museum offers labels in both English and Spanish. Image via.


Website Accessibility

~Intern Alexia Orengo Green

Museums are the perfect place to learn about a topic, increase your interest, or admire a piece of art. For many, museums are places where they can enjoy themselves while engaging in a learning environment. But, even though for some, museums are safe heavens others feel excluded because of the lack of accessibility these have.

Last week, we had a Museum Accessibility workshop with Paige Woodhouse. There we learned the different types of accessibility that museums need to have, and methods museums are using to become inclusive to all. On the workshop we also learned how the JMM is accessible and its plans to grant accessibility to everyone, making their experience more enjoyable.

One of the ways in which the JMM is planning to become more accessible is through its website. Most of the visitors of the JMM access the website to learn about the different exhibits and events happening in the museum. Because of this, it is important that everyone can engage with the website in a comfortable way.

Underneath is a list of suggestions for the new JMM website that I created following the recommendations from our workshop and readings.

List or Recommendations:

1. Bigger Text: For people who have vision impairments, such as poor vision, it may be difficult to read a small font size.

2. Night mode: The bright colors of the page might give headaches to people with vision impairments or suffer from migraines.

3. Declutter: Decluttering the page may help people, for example, with ADHD to focus better while visiting the page.

4. Underline hyperlinks: Underlining the hyperlinks would make the website’s experience for people who are color blind better by not relaying on color.

5. Smaller paragraphs: Having smaller paragraphs on the website may also help people to focus better while reading the website’s information.


Accessible Websites and The JMM

~Intern Ash Turner

Good website design can sometimes be underappreciated. As Jared Spool, a writer and researcher, states, “Good design, when it’s done well, becomes invisible. It’s only when it’s done poorly that we notice it.” And poor design negatively affects a website’s accessibility and usability.

This week, I did my readings on website design and accessibility. I found that there are a lot of checklists and articles about creating more readable and accessible websites. There are articles on different disabilities, and how to best design for them. They range from overall best-practices articles such as this one, to articles that are more specific, such as this one about designing for color-blindness.

“Posters showing the dos and don’ts of designing for users with accessibility needs including autism, blindness, low vision, D/deaf or hard of hearing, mobility and dyslexia.” Image and caption from the gov.uk article, “Dos and don’ts on designing for accessibility”

The key trait for all good web design, though, seems to be clarity. Pages need to be simple and clean, from their font and color choices, to the language used, all the way to the layout of the page and its navigation. There are other things to keep in mind as well for website accessibility, such as having image descriptions for photos, captions or transcriptions for video content, and multiple ways of understanding the content for all pages.

After my research, I have a few suggestions for improving the accessibility of the Jewish Museum of Maryland website:

>Simplify and clarify the navigation

-This includes using less colors and more consistency, and underlining or differentiating links from other non-clickable text

-Declutter the navigation by making sure it’s all in the same area and easily findable

>Use larger font sizes (for both computers and mobile)

-As stated in this article about readability on websites, larger font sizes increase text readability for all users, not just those that are vision-impaired

A screenshot taken of the JMM mobile website. Notice how small all of the text is, which can create problems for readability

>Use a mix of media to convey information

-Using different types of media (such as video, sound, or images along with text) gives people the option to understand content in different ways

-For example, the museum location page could include a small map graphic for visual understanding

>Think about changing the body text font to sans-serif

-Fonts that are more common are easier to read, and sans-serif fonts are most common on the internet for body text

>Test the website with different people

-This is especially important, since all good design should be centered on actual people

-Make sure to test with those who use assistive technology

-As the accessibility blog on Gov.uk states, “Testing with people who use assistive technology can be a quick and effective way of identifying issues that affect all users”

Overall, increasing accessibility through web design can only create a better experience for everyone.


Avoiding Stagnation

~Intern Marisa Shultz

While closely considering accessibility for this week’s intern response – I say closely because accessibility is something we should be considering often – a quote from Mary Ann Wojton, Joe Heimlich, and Natalie Shaheen’s article: “Accommodating Blind Learners Helps All Learners” stood out:

“Museum Educators generally design educational programs that they believe accommodate all visitors.”

What is so essential about this quote is that it emphasizes that museum educators believe they have accommodated all kinds of visitors, implying two things. First, that museum educators have not been as successful in this endeavor as they perceive, and second, that some museum educators may be stagnant because they feel a permanent and fulfilling solution has already been found and implemented.

So how can we, at the JMM, avoid being stagnant, and continue to accommodate our diverse visitors? While the article I was inspired by specifically describes how to accommodate the Blind and Low-Vision communities, I would like to address our Deaf visitors and their experience on the Lloyd Street Synagogue tour.

The museum has an excellent tour of the Lloyd Street Synagogue and B’nai Israel, but we do not have staff members and docents trained in American Sign Language (ASL). This lack of ASL trained staff and docents may make Deaf visitors feel alienated. While the ideal solution is to have two ASL trained staff members or docents on site each day (one to accommodate Deaf visitors at the front desk and another on the Synagogue tour), I feel this may not be a realistic goal in the short term. Perhaps instead then, we can approach this in a two-pronged manner. If we could hire (or train) a staff member or docent who knows ASL, we could schedule and advertise multiple ASL tours each week at a variety of times corresponding with the work schedule of the staff member/docent.

Additionally, our website has a section devoted to accessibility with our wonderful Paige Woodhouse as a contact; perhaps members of the Deaf community could schedule ASL tours on dates and times that are most convenient for them (barring of course, when the museum is closed). If it is not possible to hire (or train) a staff member/docent with ASL skills, perhaps it would be possible for the museum to pay for an interpreter; however, this would require a prior arrangement, and we should be striving to be accessible to all visitors, all of the time.

It is also important to note, that not all members of the Deaf community know ASL; therefore, these accommodations would only make the museum more accessible to some members of this community. Perhaps then, we could work in conjunction with an organization such as the National Association of the Deaf (NAD) to create accommodations based around the community’s knowledge and experience, in order to create a more accessible environment.


Consider a Touch Tour

~Intern Ellie Smith

Accessibility should be a high priority for all museums. Accessibility allows for diverse audiences to patron museums and enjoy the museum community. For those with disabilities museums may not be the most welcoming place but as museum staffers we need to work hard to improve our accessibility standards so that everyone who comes to a museum can enjoy and benefit from it. Issues of accessibility range from having wheel chair ramps to providing noise canceling headphones for those with auditory sensory issues. Patrons with sight impairment or blindness need different experiences than other patrons. Museums like the Smithsonian and many others provide verbal description tours and touch tours. Verbal description tours are led by a docent who provides extremely detailed descriptions of objects that are in the museum. Docents not only describe the objects they also provide historical context and other information about how this object relates to the exhibit and the museum. Touch tours are tours where patrons wear special gloves and are allowed to touch the objects on display while a docent provides a verbal description. The Smithsonian has set a high standard for touch tours as described in their “Guidelines for Accessible Exhibit Design”.[1] This resource is available online and provides an in-depth look at how a successful museum provides the highest in accessibility standards.

Other patrons may require other forms of accessibility. Patrons who are deaf or have hearing impairment need videos with captions and transcriptions of any verbal pieces of exhibits. The Smithsonian takes great care to ensure that all patrons are able to experience the exhibits to the fullest. Another exhibit that has taken great care in making sure it is accessible to diverse audiences is Nano which is an interactive exhibit “designed by the Nanoscale Informal Science Education Network.”[2] The designers of Nano worked to create an exhibit that has different pieces that patrons with different skill levels can interact with. Instructions for these activities are written in both braille, English, and Spanish. They are also in video form with captions. And there are also demonstration videos. Interactive parts of the exhibit are placed at different heights so children as well as those in wheel chairs or short people can access them. Nano is a prime example of an accessible exhibit which allows diverse audiences to participate.

I believe the Jewish Museum of Maryland could benefit from adding a touch tour to our exhibits. The Voices of Lombard Street exhibits lends itself well to a touch tour because it already has so many interactive pieces.

For example, there is a part of the exhibit that looks like a family dining room. Patrons can sit down and feel the reproduction objects on the table and a docent could read from the panels within the exhibit in order to make those objects relevant to the rest of the exhibit. The next room that a patron and docent walk into is set up like a garment factory. There is an interactive sewing machine. A patron can sit and feel the machine and fabric and press their foot on the peddle of the machine.

While this is taking place a docent can provide a verbal description of what the patron is touching and then tell the history of the garment industry in Baltimore. With new exhibits we should work hard to make sure that a touch tour can occur. Along with this we should also consider providing an audio tour that patrons can use independently and training docents to provide accessible tours. By improving our accessibility standards we can accommodate a more diverse audience and create an overall better museum experience for patrons.

 

[1] https://www.si.edu/accessibility/sgaed

[2] Rae Ostman and Catherine McCarthy, “Nano: Creating an Exhibition that is Inclusive of Multiple and Diverse Audiences”. Exhibitionist, fall 2015.

 

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Happy 5th of July

Posted on July 5th, 2018 by

A blog post by JMM Executive Director Marvin Pinkert. You can read more posts by Marvin here.

In today’s Museum Matters I wrote about the 5th of July as a reminder that the struggle for the idea of America did not end on the 4th, it had just begun.

Actually, if there really is a multiverse, in some alternative universe everyone in North America celebrates the 5th of July as the day we saved the Empire.  For it is on July 5th, 1775 that John Dickinson persuades his fellow delegates to the Second Continental Congress to vote and sign the so-called “Olive Branch Petition”.  The document claimed that we were all “faithful subjects” of the king and that all this trouble between the colonies and England could be easily solved with negotiations over lower taxes and restrictive tariffs (I know it’s hard to believe, but there was a time when many Americans thought that low taxes and protective trade were more important than freedom and independence).

Here is the signature page of the “Olive Branch Petition” – notice the large John Hancock! Image via.

In another universe, King George might have read the petition, decided that it wasn’t worth risking the loss of his valuable possessions over an argument about business, and sent a delegation to make a deal to keep all North Americans a part of the British Empire.  In that universe, we would still salute the red, white and blue (just a different configuration).

However, in our universe, King George refused to even receive the petition.  In August 1775 the King formally proclaims the colonies to be in rebellion – that’s a full eleven months before the colonies themselves agree that they are in rebellion.

But on behalf of that other universe, let me wish you a Felicitous Fifth.

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