A Single Suitcase

Posted on June 29th, 2018 by

A blog post by Director of Collections and Exhibits Joanna Church. To read more posts by Joanna click HERE.

Last December, we reprinted an article from our journal, Generations (Winter 2002), telling the story of the Weil family and their arduous journey out of Germany in the early days of World War II.  I’d like to add an illustration to that story, in the form of a plain leather suitcase:

Suitcase owned by Theo and Hilde Weil. Gift of Toni Weil Mandel, JMM 1990.119.1

In 1938, Theo and Hilde Weil lived in Freiburg, Germany. Their three young-adult daughters, Toni, Lisa, and Erna, had a clear sense of what was happening to Jews in their country, and urged their parents to begin the lengthy and expensive process of applying for travel papers to the United States. Kristallnacht – and the subsequent arrest and detainment of Theo, which left him bedridden for several weeks after his family rescued him – showed the senior Weils that it was indeed time to leave their home and try to start over in a new country. In addition to moving forward with their visa applications, the family packed up much of their furniture and belongings and shipped them ahead to New York, hoping they’d soon be able to go there themselves.

“The trouble in Germany was things didn’t happen suddenly. It was a little and a little and a little, and you can always take a little more.”  – Toni Weil Mandel  (JMM OH 246)

 Shortly afterward, the three Weil sisters left Germany on their own, working and saving money for some time in England before they secured their US visas. After arriving in Boston in 1940, they learned that the crates of family furniture were being moved from New York to Baltimore; not knowing what else to do, the girls moved here as well, and managed to find work and shelter.

In the meantime, however, their parents in Freiburg were not faring well.  Despite finally receiving clearance to come to the US, the Weils were not permitted to leave Germany. In October of 1940, the Nazis announced that all remaining Jews in Freiburg would be deported, with only an hour’s notice. The Weils were allowed one suitcase in which to pack their things.

This suitcase measures 17” x 29” x 10” – about the same size as my own carry-on bag (it even has an expandable top, like mine, for when you need to cram in just that little bit more).  My carry-on barely holds the clothes, shoes, books, and toiletries I consider ‘essential’ for a few days’ vacation, let alone the things I would want if I suspected I would never see my home again.

While they were packing, Hilde wrote a quick letter to her daughters, which she later managed to shove out of the sealed train. The letter was found and mailed, by an unknown person, to the Weil sisters in Baltimore, who otherwise would have had little or no idea what had happened to their parents.

Hilde and Theo Weil, Hilde’s mother Lina Wachenheimer, several other relatives, and their Jewish neighbors were taken to France and imprisoned in Gurs.  Once the girls discovered what had happened, they began working to secure the release of their parents and grandmother, gathering the money, affidavits, and travel papers necessary to prove that these people – forced to leave their home without identification – were the people they claimed to be, and were, thanks to their earlier visas, permitted to come to the US.  Eventually their efforts succeeded, and in April 1941, the senior Weils arrived in Baltimore … still carrying their single suitcase.  (Lina stayed in New York, with her daughter Sophie.)  It is important to note that most internees at Gurs were not so fortunate.

Theo and Hilde settled in Baltimore with their daughters but, weakened and depressed by their time in the internment camp, their lives were never the same. In an interview, Toni later remembered that her mother was “starved to death” when she got to Baltimore, and that the first shocks of America’s abundance were hard for Hilde to bear: “When we took her the first time to a food market, she asked us to take her out, she couldn’t see that food. She said, what she’d seen in a few seconds would feed that camp for years.” (Toni Weil Mandel, JMM OH 246) Thankfully, the Weils had a community of people who had endured similar experiences; they joined Chevra Ahavas Chesed, a charitable organization and burial society founded by European Jewish refugees in 1940.  They were both naturalized as US citizens in 1947 and lived in Baltimore for the rest of their lives; Hilde died in 1961, at the age of 73, and Theo died in 1970.

Naturalization cards for Hilde and Theo Weil, issued by the US District Court in Baltimore on January 13, 1947.  Via ancestry.com.

Take some time today to put yourself in the shoes of Hilde and Theo Weil in October 1938. Though reluctant to give up their home and lives in Freiburg, they had shipped most of their large belongings off to a country to which they had no assurances they would be able to move. Their lives were in danger. Their daughters were on their own, across an ocean. They were given an hour to pack the remainder of their belongings into a single suitcase, knowing they were about to be sent off to face an uncertain fate. If this happened to you, how would you react? What would you pack? How would you get word to your children?  These are questions that we at the JMM take seriously, as part of our educational mission, and I urge our readers to consider them seriously as well.

Posted in jewish museum of maryland

Once Upon a Time…10.13.2017

Posted on June 26th, 2018 by

The Baltimore Jewish Times publishes unidentified photographs from the collection of Jewish Museum of Maryland each week. If you can identify anyone in these photos and more information about them, contact Joanna Church by email at jchurch@jewishmuseummd.org

JMM 2006.13.516

Date run in Baltimore Jewish Times: October 13, 2017

PastPerfect Accession #: 2006.13.516

Status: Unidentified – do you recognize these two women who are looking over merchandise in the JCC thrift store, 1982?


Posted in jewish museum of maryland

Houdini’s Shackles Case

Posted on June 20th, 2018 by

Blog post by JMM intern Alexia M. Orengo Green. To read more posts from JMM interns, past and present, click here.

As many of you may know, the Jewish Museum of Maryland is opening Inescapable: The Life and Legacy of Harry Houdini. This exhibit puts Houdini’s story in a new perspective that most people do not know. Houdini’s Jewish legacy. Before coming to the Jewish Museum of Maryland and learning about the upcoming exhibit I did not know that Houdini was Jewish, which surprised me. The exhibit connects Houdini’s Jewish heritage, his life’s work, and Maryland through artifacts such as newspapers, his straitjacket, and his shackles.

Title Houdini exhibit. Photo by Alexia M. Orengo Green

This week one of the other interns and I had the amazing opportunity to help set up this magical exhibit. We were given the opportunity to set up the case for Houdini’s shackles and part of his lock pick set. Before starting to set up the case, we selected the fabric we were going to work with, which was a black velvet that went with the color scheme of the exhibit. Afterwards, we saw the different artifacts we were working with, which gave us an idea of the possible layout we were going to create. To better present and add dimension to the case, we decided to elevate with props several of the artifacts.

Props used to create the case.  Photo by: Alexia M. Orengo Green

When creating the case, the artifacts that were heavier and bigger were put on the back of the case while the smaller ones were set up on the front. By doing this, the visitor can see the multiple artifacts without having to hover over the exhibit case. An example of the smaller artifacts in the front of the case would be the lock pick set. The set was placed in front of the case in a line, so the visitor could better compare each of the tools Houdini used. So, it can be better appreciated on the right of the lock pick set, we placed a hair pin that Houdini also used to open locks. After we finished setting the artefacts on the table we began to adjust some of them to improve the case’s presentation and make space for the labels.  We also decided to move some of the artifacts, so the case could have a good contrast.

Exhibit case. Photo by: Alexia M. Orengo Green

From the exhibit case we created, my favorite artifact was a pair of shackles that we set at the top left corner of the case. This pair of shackles were my favorite because they were the most unique from the collection. The shackles are rigid, oxidized, and cannot bend, but the most interesting thing from the shackles is their key. What intrigues me the must of the key is the H” that it has on the middle to indicate the shackles were Houdini’s. This small detail, which may not be noticeable at the beginning, makes the shackles stand out.

Participating on the creation of the Houdini exhibit was an amazing experience. Being able to work behind the scenes of an exhibit and with artifacts that belonged to Houdini is an incredible honor. This exhibit creates a new narrative encompassing Houdini’s Jewish heritage and his connection with Maryland. Anyone that goes to see the exhibit will have an astonishing time.


Posted in jewish museum of maryland

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