Posted on May 11th, 2012 by Rachel
A blog post by Senior Collections Manager Jobi Zink.
Last week I went to Minneapolis, MN for the AAM Annual Meeting. This 4-day conference is a gathering of museum professionals from museums of every size and type. Ideas are exchanges, best practices are explained and innovative approaches to keeping museums relevant to audiences are bandied about!
My first order of business was attending the Professional Networks Program Chair Meeting. That’s right! We’re planning for year’s conference in Baltimore. As the Registrar’s Committee representative,I want to be sure that there are sessions focused on collections. Fortunately, luncheons were a great place to talk about ideas, and learn what people liked (or didn’t like!) at the sessions they attended this year.
I enjoyed the many sessions I attended at the conference: Collections Conundrums; Keeping Safe: Discovering and Handling Hidden Collection Hazards; Out from Behind-the-Scenes: Bringing Our Work Forward; Copyrights, Wrongs and the Creative Commons: Current Practices; Out of the Vaults and onto the Web: Models for Collections Access; and Free vs. Fee: How Admission Ticketing Impacts Membership and Annual Giving. I am excited to share all of the information that I learned, since so much is applicable to the JMM.
Minnesota History Museum opened their in-progress exhibition and allowed the museum community to leave their comments on post-it notes. The suggestions may be incorporated into the final layout.
Fortunately, AAM staff knows that when museum professionals get together, they really want to do is see each other’s museums. On-site insights (small tours with a specific curatorial or educational focus) and evening events are a perfect way to see behind-the-scenes. The Asian art collection at the Minneapolis Institute of Art is quite impressive.
The Minnesota History Center sponsored Beer, Burlesque, and Babe (the Blue Ox). I don’t know which I enjoyed most—Summit Porter beer, the fashion show based on their Musingwear underwear collection, or hanging out with former colleague Lauren Silberman (and our new friend, Paul Bunyan!)
Claes Oldenberg’s Spoonbridge and Cherry are the highlight of the Minneapolis Sculpture Garden. It was lovely to walk through the gardens at twilight!
The hit exhibit at the Walker Art Center is Absentee Landlord by the Baltimore filmmaker John Waters, but the rest of the museum collection is not to be missed either!
I came all the way to Minneapolis to see John Waters?
Not to worry, I did visit Minneapolis icon Mary Tyler Moore on my way to the airport!
Posted on March 19th, 2012 by Rachel
A blog post by Outreach Coordinator Rachael Binning.
Welcome to Michigan!
This year I was lucky enough to be able to attend the Council of American Jewish Museums (CAJM) 2012 Annual Conference inDetroitMichigan. The Jewish Museum of Maryland is very generous and encouraging when it comes to professional development for its staff and several JMM staff members attended the CAJM conference with me. I was able to travel toDetroitthis year partially because I co-chaired a panel with Elena Rosemond-Hoerr on museum-school partnerships and also because I was a CAJM fellow.
The outside of the Downtown Synagogue in Detroit.
To be honest, when thinking about traveling toDetroitfor this conference I was not overly enthused.Detroitis going through some difficult times economically and the idea of traveling there in the middle of winter sounded slightly miserable. However after my trip there, my opinion of the city has changed. To begin, the weather was great. Although it was a bit cold at times, it was sunny and bright the entire trip. Also, because of the way that the conference was structured the conference attendees got to visit an array of museums and cultural institutions throughout the city and its surrounding suburbs. It became on my trip that there is a wealth of arts and culture in the city that is fueled a cadre of energetic residents. Deborah Cardin, our own Assistant Director here at the JMM, co-chaired the conference and really did a wonderful job. The amount of planning and logistics that went into this conference is unbelievable.
The Oscar Mayer Weinermobile at the Henry Ford Museum
Dr. Guy Stern giving a tour of the Ritchie Boy exhibit at the Detroit Holocaust Memorial Center.
Some of my personal highlights from the trip were:
– Visiting the Downtown Synagogue (http:///downtownsynagogue.org/) in downtown Detroit. This synagogue was on the brink of being destroyed before it actively revitalized by a group of Jewish young adults living in the downtown area of the city. The synagogue has beautiful colored glass tiles and a vibrant array of programs.
– Co-chairing an education panel with Elena. Our panel “Building Bridges: Museums and Schools as Partners” focused on how museums, from big to small, can learn how to successfully partner with schools or other community organizations for long term projects. For our portion of the panel we invited one the 8th grade teachers we have been working with to help us talk about our museum-school partnership with Commodore John Rodgers Middle School. The audience found it really helpful to have Ms. Smith on the panel. From her they learned what these partnerships are like from a teacher’s perspective.
– On our last day of the conference we went the Detroit Institute of Art where we ate lunch in the Rivera Court where we were surrounded by Diego Rivera’s Detroit Industry fresco. Graham Beal, the director and president of the museum, gave an engaging talk about the exhibits. I loved it!
– At the Holocaust Center in Detroit there was an exhibit on the Ritchie Boys, a group of men who fled Nazi Germany and then joined the US Army and went back toEuropeas soldiers with an expertise in intelligence and psychological warfare. Dr. Guy Stern, who was a Ritchie Boy and helped to create the exhibit, gave some of the conference attendees a tour. It was great learning about the exhibit from his perspective.
The Diego Rivera fresco, Detroit Industry, at the Detroit Institute of Art.
My only complaint about the conference was that I didn’t have enough time to see so many great cultural institutions. In addition to the sites I listed above we also visited theMotownMuseum, theArabAmericanMuseum, theHenryFordMuseumand more. I’m already looking forward to the CAJM conference next year.
Posted on March 5th, 2012 by Rachel
A blog post by Senior Collections Manager Jobi Zink.
One of the “selling” points of the CAJM conference inDetroitwas the many museums that we would go to. Rather than just attending sessions in one hotel or conference center, we toured a number of museums. Several of the sessions were then related to the exhibitions we just saw.
We began Tuesday morning at the Charles H. Wright Museum of African American History (www.thewright.org)
While I remember Chris Webber for calling a time out for University of Michigan during the 1993 NCAA Championship game when his team did not have any time outs remaining, I learned that he began to collect African American artifacts in 1994. His collection,including slave records and costumes worn by James Brown, was donated to the Wright in 2007.
Our final conference sessions were held at the Detroit Institute of art (www.dia.org). As an art history major specializing in American Art, I felt like I was in heaven!
We ate lunch in the Rivera courtyard, surrounded by “Detroit Industry” murals by Diego Rivera. Rivera was a Marxist who believed that art belonged on public walls rather than in private galleries; he also gave the worker and the manager equal stature in art and in life.
For more details about the 27 panels that Rivera completed in just 11 months click on this link: http:///www.dia.org/art/rivera-court.aspx
I had a flashback to our February 10th field trip to the National Gallery of Art when we came to “Watson and the Shark” by John Singleton Copley. This is the third and smallest version of this painting. The second painting is in the Museum of Fine Arts, Boston.
Encountering “First State Election in Detroit, Michigan, 1837” by Thomas Mickell Burnham was very timely as Tuesday was theMichigan primary!
Rabbi Sprinzen would be proud that I can still read “Sampson” and “Delilah” in Hebrew. I love the frames on the Elihu Vedder paintings, too!
This piece reminded me a little bit of the Hutzler Cabinet. Must be all of that dark wood and intricate design.
I’ve always found the triptych “Classical Figures” by Thomas Dewing to have a calming effect on me.
I had no idea that all of this amazing art and history was hidden in Detroit. Thank you, Deborah, Josh, Terri & Stephen and the rest of CAJM, for the opportunity to see it all!