Exploring Next Narratives

Posted on March 25th, 2016 by

This year’s Council of American Jewish Museum’s (CAJM) annual conference took place in NY from March 20-22 and focused on the topic of “Next Narratives”. Conversation flowed surrounding the topic of storytelling with many thought provoking sessions devoted to exploring how Jewish museums can develop new more inclusive narratives through exhibitions, programs and outreach initiatives.

2016 CAJM Conference

2016 CAJM Conference

The conference lineup was impressive and featured artists, scholars, museum professionals and philanthropists. The opening plenary highlighted novel storytelling methods with presentations by Annie Polland of the Tenement Museum, author Bruce Feiler and artist and filmmaker, Tiffany Shlain. I was reminded again about just what a brilliant job the Tenement Museum does in telling stories about the immigrants who inhabited 97 Orchard Street and loved Annie’s endorsement of “messy storytelling” by training guides to learn how to give unscripted tours that incorporate participants’ stories. You can find out more about the Tenement Museum’s tours and programs at tenement.org.

Another thought provoking session, “The Ten-Foot Pole of Jewish Museums: Where is the Religious Narrative?” raised a rather provocative issue – are Jewish museums afraid to wrestle with religious content in meaningful ways? One of the panelists, Melanie Holcomb from the Metropolitan Museum of Art, shared how a beautiful musical installation that her staff created at the Cloisters enhanced visitor engagement with religious art. The discussion among participants following the panelists was particularly insightful.

Audience engagement through non-traditional means was emphasized in the final panel of the conference, “Audacious Space: Rethinking Gallery Engagement”.

Audience engagement through non-traditional means was emphasized in the final panel of the conference, “Audacious Space: Rethinking Gallery Engagement”.

Colleagues from The Contemporary Jewish Museum (San Francisco), The Jewish Museum (NY), the National Museum of American Jewish History (Philadelphia) and Museum Hack highlighted work that they have done to bring in new audiences through such means as providing contemporary artists opportunities to create installations based on their interpretation of collections and exhibitions (often displayed in unusual spaces). The Contemporary Jewish Museum has developed a popular series of 20-minute gallery chats that provide visitors with the chance to hear from a diverse group of speakers who have some connection to exhibition content. (Check out current offerings developed for the Bill Graham exhibit.)

Museum Hack, a tour company that is not affiliated with a museum, has a reputation for leading highly entertaining tours that are popular with millennials. This presentation was especially fun and audience members enjoyed participating in an activity creating stories of individuals portrayed in famous art portraits. For more about the irreverent approach that Museum Hack takes to developing its interactive tours with the tagline “This Isn’t Your Grandma’s Museum Tour” check out museumhack.com.

In addition to the valuable content gleaned from sessions, the CAJM conference also offers plenty of opportunities for networking with colleagues from across the country as well as from Canada, Europe and Israel. Taking advantage of the many amazing cultural venues in New York, attendees had the chance to view multiple exhibits, including Beit Hatfutsots’ exhibit Here Comes the Bride: [pdf] at Temple Emanue-el.

At the Jewish Museum we viewed an incredible exhibit displaying gowns, sketches and costumes by Isaac Mizrahi.

At the Jewish Museum we viewed an incredible exhibit displaying gowns, sketches and costumes by Isaac Mizrahi.

Center for Jewish History

Center for Jewish History

deborahA blog post by Deputy Director Deborah Cardin. To read more posts from Deborah click HERE.

 

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Connecting Communities to Collections

Posted on December 18th, 2015 by

The JMM is a member of the Council of American Jewish Museums (CAJM), an organization of 80+ members dedicated to the collection and interpretation of Jewish history and culture. CAJM offers a variety of services to its members including professional development opportunities through national conventions and regional meetups. The organization also seeks to take a leading role in addressing issues of concern to its membership by providing guidance and support whenever possible.

Yesterday I had the opportunity to travel to New York for a CAJM sponsored workshop exploring the topic of connecting communities to collections. This was a follow up to a previous “Idea Lab” that took place last spring that opened the conversation and explored several different strategies for making museum collections more relevant and accessible for community members. Concepts discussed at the first gathering included “Next Narratives” (launching collecting initiatives that help reshape conventional narratives of Jewish history), “Audacious Hospitality” (creating a more inclusive environment through creative programming and collecting), and “Strategic Alliances” (as a means of more effectively leveraging limited resources). Another suggestion was raised to radically rethink collecting strategies that would enable museums to think more strategically about the types of artifacts that they accession.

The goal of the second in a series of ongoing conversations on this topic was to discuss these strategies (and others) in more depth. More than 25 cultural leaders (not just from Jewish museums) and funders attended the program which took place at the Center for Jewish History. The morning was spent laying out some of the challenges that Jewish museums face in making their collections accessible. Many institutions have large collections that are not well documented with limited storage space.

These photos reflect the fact that the JMM collections storage space is packed with artifacts. Finding space for new items – especially large framed artworks – is a challenge.

These photos reflect the fact that the JMM collections storage space is packed with artifacts.

collections storage

Finding space for new items – especially large framed artworks – is a challenge.

Furthermore, it is difficult finding the necessary funds to properly care for artifact preservation.

Focus turned to strategies for engaging young audiences through collections and it was suggested that museums explore successful initiatives that have been employed to encourage millennial participation in Jewish culture and tradition such as Reboot: www.rebooters.net and Moishe House: www.moishehouse.org/houses/baltimore.

New models for engaging audiences with collections were suggested such as lending artifacts that are seldom used to other community organizations like synagogues for display and possible use or working with organizations like Museum Hack to develop creative tours and programs: https://museumhack.com/. Interest was also expressed in developing partnerships with artists to help reinvigorate collections by inviting them to explore artifacts in storage and to create art installations based on their interpretation of objects. Examples of successful projects that make use of contemporary artists include the Israel Museum: http://www.jerusalemseason.com/en/content/event/contact-point.

While the JMM does not have an especially large collection of Judaica, for many Jewish museums, Jewish ritual objects comprise a significant part of their collections. One recommendation is to think about more creative ways of displaying Judaica so visitors can better understand their role in ritual.

While the JMM does not have an especially large collection of Judaica, for many Jewish museums, Jewish ritual objects comprise a significant part of their collections. One recommendation is to think about more creative ways of displaying Judaica so visitors can better understand their role in ritual.

One idea for new types of partnerships is for Jewish museums to work with non-Jewish organizations to help them more fully interpret Jewish content in their collections. Jewish funders are often more interested in supporting work at non-Jewish institutions because of the perception that it will be viewed by a larger more diverse audiences.

In the afternoon, we split up and worked in small groups to tackle specific issues and to come up with a concrete proposal for what CAJM might do to help provide solutions. My group was tasked with exploring how to develop trust between museum staff who wants to protect collections and often is concerned about possible infringements on its role as collections’ guardians and those who want to open up access to collections in new ways. We suggested that CAJM could develop a set of guidelines that would help its members reexamine collections policies as well as share stories of successful models for connecting collections to community. Another idea is for CAJM to provide small grants to organizations to encourage innovation in this area. We also explored the possibility of convening a small group of museums to examine where the gaps are in collections – i.e. do our collections represent the current faces of our Jewish communities?

All in all, the day was productive with lots of interesting conversation surrounding the topic of collections and audience engagement.

deborahA blog post by Deputy Director Deborah Cardin. To read more posts from Deborah click HERE.

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Welcome to Michigan!

Posted on March 19th, 2012 by

A blog post by Outreach Coordinator Rachael Binning.

Welcome to Michigan!

This year I was lucky enough to be able to attend the Council of American Jewish Museums (CAJM) 2012 Annual Conference inDetroitMichigan. The Jewish Museum of Maryland is very generous and encouraging when it comes to professional development for its staff and several JMM staff members attended the CAJM conference with me.  I was able to travel toDetroitthis year partially because I co-chaired a panel with Elena Rosemond-Hoerr on museum-school partnerships and also because I was a CAJM fellow.

The outside of the Downtown Synagogue in Detroit.

To be honest, when thinking about traveling toDetroitfor this conference I was not overly enthused.Detroitis going through some difficult times economically and the idea of traveling there in the middle of winter sounded slightly miserable. However after my trip there, my opinion of the city has changed. To begin, the weather was great. Although it was a bit cold at times, it was sunny and bright the entire trip. Also, because of the way that the conference was structured the conference attendees got to visit an array of museums and cultural institutions throughout the city and its surrounding suburbs. It became on my trip that there is a wealth of arts and culture in the city that is fueled a cadre of energetic residents. Deborah Cardin, our own Assistant Director here at the JMM, co-chaired the conference and really did a wonderful job. The amount of planning and logistics that went into this conference is unbelievable.

The Oscar Mayer Weinermobile at the Henry Ford Museum

Dr. Guy Stern giving a tour of the Ritchie Boy exhibit at the Detroit Holocaust Memorial Center.

Some of my personal highlights from the trip were:

– Visiting the Downtown Synagogue (http:///downtownsynagogue.org/) in downtown Detroit. This synagogue was on the brink of being destroyed before it actively revitalized by a group of Jewish young adults living in the downtown area of the city. The synagogue has beautiful colored glass tiles and a vibrant array of programs.

– Co-chairing an education panel with Elena. Our panel “Building Bridges: Museums and Schools as Partners” focused on how museums, from big to small, can learn how to successfully partner with schools or other community organizations for long term projects. For our portion of the panel we invited one the 8th grade teachers we have been working with to help us talk about our museum-school partnership with Commodore John Rodgers Middle School. The audience found it really helpful to have Ms. Smith on the panel. From her they learned what these partnerships are like from a teacher’s perspective.

– On our last day of the conference we went the Detroit Institute of Art where we ate lunch in the Rivera Court where we were surrounded by Diego Rivera’s Detroit Industry fresco. Graham Beal, the director and president of the museum, gave an engaging talk about the exhibits. I loved it!

– At the Holocaust Center in Detroit there was an exhibit on the Ritchie Boys, a group of men who fled Nazi Germany and then joined the US Army and went back toEuropeas soldiers with an expertise in intelligence and psychological warfare. Dr. Guy Stern, who was a Ritchie Boy and helped to create the exhibit, gave some of the conference attendees a tour. It was great learning about the exhibit from his perspective.

The Diego Rivera fresco, Detroit Industry, at the Detroit Institute of Art.

My only complaint about the conference was that I didn’t have enough time to see so many great cultural institutions. In addition to the sites I listed above we also visited theMotownMuseum, theArabAmericanMuseum, theHenryFordMuseumand more. I’m already looking forward to the CAJM conference next year.

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