Remembering Auschwitz By the Numbers

Posted on March 10th, 2017 by

Performance Counts: March 2017

This past Sunday, we opened Remembering Auschwitz: History, Holocaust, Humanity, a unique and important exhibit that encourages visitors to explore Holocaust history and commemoration through the lens of Auschwitz. The following are some interesting facts and figures about the exhibit.

Photo by Will Kirk

Photo by Will Kirk

>Number of Exhibits on Display: 4 (A Town Know As Auschwitz: The Life and Death of a Community, Architecture of Murder, Loss And Beauty: Photographs by Keron Psillas and The Holocaust Memory Reconstruction Project)

>Number of Years Exhibit Has Been in the Works: 2 ½ years

Deborah leads a docent tour through "Remembering Auschwitz"

Deborah leads a docent tour through “Remembering Auschwitz”

>Percentage of Jewish Population in Oswiecim (the name of the town prior to Nazi occupation in 1939) in the Years Prior to the Holocaust: As high as 50%

>Number of Synagogues in Oswiecim prior to 1939: 30

>Percentage of Jewish population of Oswiecim Murdered at Auschwitz: 90%

Detail of "Architecture of Death" panel

Detail of “Architecture of Death” panel

>Year in Which Construction of Auschwitz Commenced: 1940

>Number of Camps Constructed at Auschwitz: 3 main camps (Auschwitz I, Auschwitz II – also known as Birkenau and Auschwitz III – also known as Buna and Monowitz

> Estimated Number of Inmates Murdered at Auschwitz: 1.1 million including 1 million Jews

Photo by Will Kirk.

Photo by Will Kirk.

>Number of Photos on Display By Keron Psillas: 25

>Number of Miles Photos Traveled from their Last Installation in Hollywood, Florida: 1080 miles

Photo by Will Kirk.

Photo by Will Kirk.

>Number of Collages Created as Part of the Holocaust Memory Reconstruction Project: 91

>Number of Countries of Origin of Individuals Honored Through Collages: 12

Photo by Will Kirk.

Photo by Will Kirk.

>Total attendance at Sunday’s opening: 242 people

>Number of Related Programs Planned Over the Next Three Months: 16

>Date Exhibit Ends: May 29, 2017

Of course, numbers alone do not tell the whole story, certainly not of the devastation of the Holocaust, nor the impact that we hope this exhibit will have on our visitors. It was an extraordinary experience watching families who participated in the collage making workshops gather around their plaques on display with tears in their eyes and pride in the knowledge that their family members’ stories now have permanent homes at the JMM. While it is too soon to report on the total number of visitors which will include many school group visitors, we look forward to keeping you posted.

~Deborah Cardin, Deputy Director

Posted in jewish museum of maryland




Museums and Society

Posted on February 23rd, 2017 by

Earlier this week I hosted a group of students from Johns Hopkins University who are taking a class exploring the theme of Museums and Social Responsibility. In addition to coursework and lectures, during which students discuss and debate the extent to which museums serve as vehicles for social change, students also participate in field trips to several museums where they have the opportunity to learn about the many different ways in which museums engage with their communities. Students are also expected to work with a museum of their choice to help design a project that helps a museum respond to a specific challenge.

During their visit to the JMM, eight students toured our Voices of Lombard Street exhibit as well as the Lloyd Street Synagogue.

Voices of Lombard Street

During their visit to the JMM, eight students toured our Voices of Lombard Street exhibit as well as the Lloyd Street Synagogue.

Programs Manager Trillion leads the tour of the Lloyd Street Synagogue.

Programs Manager Trillion leads the tour of the Lloyd Street Synagogue.

We then spent the remainder of our time together in the Lloyd Street Synagogue (LSS) where we talked about how our Museum approaches community engagement through public and educational programs. Students were especially interested in learning about how even though the JMM mainly serves a Jewish audience (and our history and mission are directly tied to providing opportunities for Jewish visitors to connect to their heritage), we also are deeply committed to serving non-Jewish audiences and to providing a venue for discourse and discovery for visitors of diverse backgrounds.

The class checks out "The Synagogue Speaks"

The class checks out “The Synagogue Speaks”

When asked about a challenge that the JMM faces, we talked about how our staff has been searching for ways to animate the LSS beyond our regular public tours. For the past few months, staff has been in conversation with one another as well as with our colleagues at other historic sites and museums in an effort to reexamine our preconceived notions about what attracts visitors to visit and how we can conduct small scale programmatic experiments to help us engage new audiences. Students were interested in hearing about these conversations as they asked terrific questions and offered suggestions for new ideas.

We look forward to working with several of the students in the months ahead and to seeing what exciting new ideas they come up with!

deborahA blog post by Deputy Director Deborah Cardin. To read more posts from Deborah click HERE.

Posted in jewish museum of maryland




JMM Insights: Remembering Auschwitz

Posted on February 17th, 2017 by

 

RA-logo-BLUE

Opening March 5

The smell of fresh paint wafting from behind the closed gallery door is a tell tale sign marking the transition from one exhibit to another. In January we said goodbye to Beyond Chicken Soup, returned many of the artifacts and crated the text panels and interactives for shipment to its next venue. As soon as the gallery was empty, Mark Ward and his incredible crew were hard at work prepping for our next exhibition, Remembering Auschwitz: History, Holocaust, Humanity which is set to open on March 5.

This landmark initiative brings four separate exhibit projects together for the first time, each of which explores a facet of Holocaust history and commemoration. Together they shed light on the significance of Auschwitz – the town and the camp – and how it has endured as a symbol of the Holocaust for more than 70 years after its liberation.  With three main camps and more than 40 sub-camps, Auschwitz-Birkenau was the largest camp within the Nazi prison system and served as the site where approximately 1.1 million people were murdered included nearly 1 million Jews.

Hotel Schmeidler, 1912. Courtesy of Miroslaw Ganobis. Image from A Town Known as Auschwitz.

Hotel Schmeidler, 1912. Courtesy of Miroslaw Ganobis. Image from A Town Known as Auschwitz.

Our exhibit takes visitors through a multidimensional tour of Holocaust history beginning centuries prior to the Nazi invasion of Poland. A Town Known As Auschwitz: Life and Death of a Jewish Community from the Museum of Jewish Heritage – A Living Memorial to the Holocaust reveals 400 years of the vibrant Jewish history of Oświęcim, Poland —the town the Germans called Auschwitz. Told through photographs, maps and oral history interviews, the exhibit focuses on friendships between Jewish and non-Jewish residents of the town and how the Jewish community flourished for centuries.

plan6

Architecture of Murder

Construction of the camp known as Auschwitz I began in 1940 in an abandoned Polish military barracks on the outskirts of the town. Architecture of Murder: The Auschwitz Birkenau Blueprints developed by Yad Vashem and on loan from the American Society for Yad Vashem, explores this darker period in the town’s history through blue prints, architectural drawings and other documents. To provide further visual evidence of the camp, the exhibit also features a model of the camp created by local high school student, Andrew Altman, to honor the experiences of his great-grandfather, Edward (Yehuda) Biderman who was sent on a transport to Auschwitz in August of 1944 from the Lodz Ghetto in Poland.

Image combining the train station at Buhosovice, near Terezîn (left) and Auschwitz (right). Image from Loss and Beauty by artist Keron Psillas.

Image combining the train station at Buhosovice, near Terezîn (left) and Auschwitz (right). Image from Loss and Beauty by artist Keron Psillas.

Today, the Auschwitz-Birkenau Memorial Museum is visited by millions of visitors each year. Loss and Beauty: Photographs by Keron Psillas provides a contemporary perspective on the experience of visiting and documenting Auschwitz and other camps today. Psillas’s beautiful and haunting works consist of layered photographs that seek to commemorate and honor the lives of those murdered during the Holocaust. A catalog of her work that includes her poetry as well as her reflections on each photograph on display in the exhibit will be available for sale in our gift shop.

A collage made to honor and remember Gitta Nagel.

A collage made to honor and remember Gitta Nagel.

The Holocaust Memory Reconstruction Project is an original art installation developed in partnership with The Human Element Project that adds the voices and stories of Maryland’s community of Holocaust survivors. The plaques on display feature the collages that were created during the many different workshops that we held this summer and fall for Holocaust survivors and their families and highlight incredible stories of survival.

We look forward to marking the opening of Remembering Auschwitz with a special pre-opening brunch and tour for Holocaust survivors and their families in the morning on Sunday, March 5. We will then open the exhibit to the public at 12:00 that day. At 2:00, we have invited artists Lori Shocket of the Human Element Project and Keron Psillas to talk about their experiences documenting the Holocaust and other tragedies through the medium of art. We hope you will join us for what will surely be a moving experience. The exhibit remains on display through May 29.

deborahA blog post by Deputy Director Deborah Cardin. To read more posts from Deborah click HERE.

 

 

Posted in jewish museum of maryland




« Previous PageNext Page »