Farewell to Jews on the Move

Posted on November 14th, 2013 by

Having traveled for more than a year from the city to the suburbs and back, Jews on the Move: Baltimore and the Suburban Exodus, 1945-1968 has finally ended its run.

Here we are installing the exhibit at its first venue in Hodson Hall at Johns Hopkins University. From there, it traveled to several suburban synagogues, the Owings Mills JCC, the main branch of the Enoch Pratt Library and the Edward A. Myerberg Center.

Here we are installing the exhibit at its first venue in Hodson Hall at Johns Hopkins University. From there, it traveled to several suburban synagogues, the Owings Mills JCC, the main branch of the Enoch Pratt Library and the Edward A. Myerberg Center.

Davidson moving truck, CP 57.2012 – while we did not need quite so large a moving truck to handle the exhibit’s travel, my trusty old minivan certainly got put to good use as we hauled the exhibit panels from site to site.

Davidson moving truck, CP 57.2012 – while we did not need quite so large a moving truck to handle the exhibit’s travel, my trusty old minivan certainly got put to good use as we hauled the exhibit panels from site to site.

We were delighted by how the exhibit was received by the many different individuals who had the opportunity to view it and I thought I’d take an opportunity to share some of the visitor feedback that we received in the exhibit comment book.

Pratt Library Installation

Pratt Library Installation

“Thank you for taking us down memory lane as we enjoyed reliving our childhoods. Our grandchildren enjoyed the exhibit as well.”

“Very interesting, would be interested to see where that trend [of suburbanization] is today and also how this shift changed government funding of urban v. suburban projects.”

Model home, Pikesville, CP58.2012.11

Model home, Pikesville, CP58.2012.11

“Those ranch homes on Old Court Road were the landscape of my childhood. How cool to see them with new trees, eight years before my parents moved to the neighborhood! Thanks for the exhibit.”

Har Sinai Groundbreaking, 1995.126.023

Har Sinai Groundbreaking, 1995.126.023

“My friend is in the front row of the groundbreaking of Har Sinai photo. We became friends in kindergarten and are still friends 57 years later.”

“As a Jew from Bmore, who grew up in Pikesville, whose grandparents grew up in the inner city of Baltimore, you have essentially depicted my history. Thanks!”

Jews on the Move was developed in collaboration with the Museums and Society Program at Johns Hopkins University through the generous support from the Andrew W. Mellon Foundation. We are grateful to Professor Elizabeth Rodini, Jennifer Kingsley and the JHU students who helped us organize this exhibit.

deborahA blog post by Assistant Director Deborah Cardin. To read more posts by Deborah, click here.

 

Posted in jewish museum of maryland




Iron Will in Hoopskirts: Jewish Women in the Civil War

Posted on November 11th, 2013 by

November’s theme here at the JMM is Jewish women in the Civil War. We’ve kicked off the month with a wonderful talk yesterday by historian Dr. Lauren Strauss. Her talk has the distinction of having the Best Title Ever (IMHO): “Kosher Southern Belles and Yankee Bubbies Face America’s Greatest Crisis”.

Lauren Strauss presents

Lauren Strauss presents

Folks, it just doesn’t get any better than that!

The Levy Sisters, Eugenia (left) and Phoebe (right)

The Levy Sisters, Eugenia (left) and Phoebe (right)

Lauren told us about a handful of distinctive Jewish women who did remarkable things during the war. The most dramatic of them were the two Levy sisters: Eugenia Levy Phillips was a Confederate spy and was incarcerated twice for it, and her sister Phoebe Yates Pember was a stalwart nurse at the Chimborazo Hospital, where she made her mark by feeding the wounded with her chicken soup.

A few ladies of the Civil War

A few ladies of the Civil War

Next week, we continue celebrating the remarkable women of the Civil War, this time with a visit from a very familiar name: Clara Barton will be gracing us with her presence and her memories of the battlefields at 1pm next Sunday. Don’t miss it  – for more info, check out our programs page!

Britt Olsen-Ecker as Clara Barton

Britt Olsen-Ecker as Clara Barton

abby krolik copyA blog post by Visitor Services Coordinator Abby Krolik. To read more posts by Abby, click here.

Posted in jewish museum of maryland




From Flat to Fluffy: The Conservation of Rabbi Szold’s hat

Posted on November 7th, 2013 by


If you are too young to know about Breck shampoo—or if you just want to reminisce about 1970s hair products—check out this Youtube video. 

Incorporating original objects from the JMM permanent collection in exhibitions—especially traveling exhibitions—is an important way to bring the focus to Jewish life in Maryland. This was particularly true with Passages through the Fire: Jews and the Civil War. Maryland was truly a boarder state during the Civil War and Jews were as divided as other groups when choosing sides. While I knew about his role on the pulpit in Baltimore, I was surprised to learn that Rabbi Benjamin Szold was asked to intercede on behalf of Private George Kuhn, a young Jewish Union deserter. Although Szold was unsuccessful, he remained with the young man until he was executed.

You can see an original copy of this Harper’s Weekly depicting the aforementioned execution in the Passages through Fire exhibition.

You can see an original copy of this Harper’s Weekly depicting the aforementioned execution in the Passages through Fire exhibition.

In addition to the trunk that Szold used when he emigrated from Breslau, the Museum also owns the black velvet hat he wore at about the time he was recruited by Temple Oheb Shalom in 1859. This artifact was perfect for the The Minhag America section of the exhibition, explaining the diverse practices in each Jewish community at the start of the Civil War.

1998.115.2  A portrait of Rabbi Benjamin Szold

1998.115.2 A portrait of Rabbi Benjamin Szold

Unfortunately, the hat was in poor condition and could not be exhibited without conservation. As evidenced in the photo below, the velvet was completely split, and falling off the hat to expose a yellow/brown padding structure beneath, which too had tears, soiling, and damage. In addition to holes, the shape of the hat was distorted and crushed, and there was a considerable amount of dust accumulated across the surface!

Demonstrating that the black velvet is literally being held on by a thread.

Demonstrating that the black velvet is literally being held on by a thread.

 It looks like a toupee!

It looks like a toupee!

Conservation work can be time consuming and expensive—which is why the JMM only conserves select items, usually in conjunction with an exhibition. The American Institution of Conservation website was helpful in identifying specialized conservators by location. After we approved her treatment proposal, textile conservator Julia Brennan worked on Rabbi Szold’s hat. In her treatment report Julia explained the process of her work:

·         The hat was humidified over several days in an enclosed chamber to slowly introduce moisture into the fabric. This made the hat more malleable, and throughout the humidification process it was gradually manipulated from its collapsed shape to its original shape. As the hat softened, it was gently filled out with tissue to hold the shape.

·         The hat really took its original shape and the velvet is much more relaxed and supple.

·         Large, split areas of the hat were lined with black cotton for stability. The split edges were then re-aligned and hand sewn to the black cotton with hand stitching, using a color-matched Skala thread. It was necessary to have the supports, as the velvet edges are too brittle to attach to each other.

Left, a split, broken area lined with black cotton. Right, the area stitched back into place. A small seam of the cotton is visible.

Left, a split, broken area lined with black cotton. Right, the area stitched back into place. A small seam of the cotton is visible.

·         In a large area where the velvet was missing entirely, a new piece of carefully matched black velvet was inserted and stitched into place with hand stitching. This fills the hole, and makes the hat more complete and attractive.

Left, a large hole in the hat. Right, the hole with new black velvet inserted to mask the hole.

Left, a large hole in the hat. Right, the hole with new black velvet inserted to mask the hole.

Our biggest concern with the Szold hat was whether it would be stable enough for exhibition after treatment. In addition to conserving the hat, Julia built a custom support to keep it in its original, stable shape. The support consists of four parts:

1. A “donut” made of cotton stockinette and batting, exactly fitting the main body of the hat. This will prevent the velvet from the stress of collapsing, which contributed to the original splits.

2. A small, dome shaped piece made of ethafoam and batting, covered in a non-abrasive black stretch fabric. This supports the center of the body of the hat, which the donut does not support.

3. A flat disc made of ethafoam, batting, and black stretch fabric fit to the exact dimensions of the hat brim. This keeps the brim straight, preventing further wrinkling and making current wrinkling less obvious.

4. A second, taller disc for the entire supported hat to sit on, also made of ethafoam, batting, and covered in a cream colored stretch fabric. This elevates the hat when its other support pieces are in place so the brim does not touch the resting surface. It can also be used for display purposes. Or not.

Interior Support

Interior Support

Right Side Up

Right Side Up

The hat has undergone a complete transformation! It is no longer limp and torn. It’s gone from Flat to Fluffy.

In the “Results and Recommendations” section of her report Julia cautions that the velvet is still extremely brittle, an irreversible problem. Some small splits remain in the velvet because the repair process is so stressful to the fabric that repairing them would cause more harm than good. The hat must be handled with extreme delicacy and caution, or more splits will occur, and current splits may get larger. The hat should be kept in a carefully monitored environment with low light. Cleaning should only be done by a conservation professional due to the delicacy of the fabric.

I got this travel sized Breck shampoo when I stayed at the Channel Inn in DC for the MAAM conference in October. It really makes your hair fluffy! Just don’t use it on historic artifacts.

I got this travel sized Breck shampoo when I stayed at the Channel Inn in DC for the MAAM conference in October. It really makes your hair fluffy! Just don’t use it on historic artifacts.

Rabbi Szold’s hat is on view in the Passages through the Fire exhibition on view now at the JMM. Funding for this important project was made possible by the Associated.

JobiA blog post by Senior Collections Manager Jobi Zink. To read more posts by Jobi click here.

Posted in jewish museum of maryland




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