Posted on August 14th, 2014 by Rachel
There are due to be some amazing objects on display within our upcoming exhibit, The A-Mazing Mendes Cohen, one of which is the American flag Mendes made during his time in Egypt. The flag is an important part of our collection and has a great claim to fame, probably being the first American flag to be flown on the Nile. Though exciting that the flag will be on display throughout the duration of the exhibit, it was essential to undertake some conservation to ensure no damage comes to the flag.
Last week we had a visit from Michele Pagan, the textile conservator who is working on the flag. She has already done some great work, adding a new backing to the flag that is much lighter that what had been used previously. This layer will also act as a support to the fraying edges and will have a section sewn in to make display of the flag easier. Michele has also added a layer of red silk organza behind the red strips of the flag, giving back some of the color to the flag, without doing anything that could be potentially damaging.
Marvin Pinkert, Deborah Cardin and Michele Pagan with Mendes’ flag
At present the strongest area of the flag is the canton, the blue square, the fabric is in good condition and has lost little of the original color. In contrast the stars are starting to deteriorate, not surprising as they are only made with paper and attached with an adhesive. The stars are receiving some careful treatment from the conservator, a fine layer of silk organza is being sewn over the top of the stars, keeping them visible but offering a little extra support.. This approach is the simplest of the three options presented, but it is also the one which is least likely to prove problematic in the future.
One of the surprising things to hear from Michele was that this is possibly the most fragile flag on which she has ever worked, given that she worked on THE Star Spangled Banner, this is quite a statement! There are a number of reasons for this all of which relate to the conditions in which it was made. Mendes certainly didn’t plan to be making this flag prior to leaving America, it seems whilst travelling in Egypt his patriotism inspired him to create the flag. This means that unlike most flags of the time made of wool, Mendes had to make the most of what he had and so his flag is made of cotton.
The difference in the ways in which the materials have deteriorated comes from the quality of the cotton, the blue is of a higher thread count and was dyed prior to weaving helping it to retain its color. In contrast the red and white are of a lower thread count and it is probable that the dye was applied to the red after weaving resulting in its loss of color. We did wonder if perhaps Mendes had dyed the fabric himself, but based on this letter it seems not, dated May 3rd, 1832:
“10th day … Manfalout containing about 400 inhabitants – bazaars – apricots, cucumbers, apples (small) – purchased red, white and blue cotton to make a flag – returned on board and cut it out, my servant making it”
Packing the flag safely away again, ready for more conservation work.
The flag is a stunning piece so make sure you come and see the great work that has been done on the flag in The A-Mazing Mendes Cohen, opening September 14th 2014.
A blog post by Program Manager Trillion Attwood.
Posted on February 11th, 2014 by Rachel
The Baltimore Jewish Times publishes unidentified photographs from the collection of Jewish Museum of Maryland each week. If you can identify anyone in these photos and more information about them, contact Jobi Zink, Senior Collections Manager and Registrar at 410.732.6400 x226 or firstname.lastname@example.org.
Date run in Baltimore Jewish Times: August 9, 2013
PastPerfect Accession #: 1992.108.027
Status: Partially identified – we’re still looking for more children’s names, so if you recognize any of these shining faces, please let us know! Dr. Chaim Y. Botwinick and children from the Isaac Davidson Hebrew School, holding American and Israeli flags, c. 1952. Included are Gerald Friedman and Stuart Schuchalter.
Special Thanks To: Stuart Schuchalter