Posted on June 15th, 2016 by Rachel
The Jewish Museum of Maryland is about to embark on an exciting new project designed to honor our community’s Holocaust survivors. As part of the Holocaust Memory Reconstruction Project, we are inviting artist Lori Schocket to spend the next two weeks with us as she facilitates a series of workshops for Holocaust survivors, descendants and their families. (Visit www.thehumanelementproject.com to learn more about similar projects that Lori has facilitated in other communities.)
Participants are asked to bring with them artifacts, including photographs and documents, that highlight their experiences before, during and after the Holocaust, as well as a written statement that summarizes their stories.
A collage from a previous workshop
During the workshops, which last between 2 ½ to 3 hours, Lori, along with a group of JMM staff members and volunteers, will assist participants as they share stories and incorporate the materials they have brought with them into collages on a 10” x 10” foam panel.
Previous workshop participants
Each collage will be reproduced onto a large metal framework that will become an art installation. The installation will be featured in the JMM’s upcoming Remembering Auschwitz: History, Holocaust, Humanity exhibition on display March 5-May 29, 2016.
Remembering Auschwitz also includes A Town Known As Auschwitz, an exhibition developed by the Museum of Jewish Heritage, A Living Memorial To the Holocaust, and explores the pre-Holocaust history of the town, Oswiecim, where the camp was located.
Workshops take place the following dates, times and locations:
Sunday, June 19: Jewish Museum of Maryland (15 Lloyd Street, Baltimore, 21202)
Monday, June 20: Jewish Museum of Maryland (15 Lloyd Street, Baltimore, 21202)
Tuesday, June 21: Jewish Museum of Maryland (15 Lloyd Street, Baltimore, 21202)
Sunday, June 26: JCC (5700 Park Heights Avenue, Baltimore, 21215 – In the Community Room)
Monday, June 27: JCC (5700 Park Heights Avenue, Baltimore, 21215 – In the Community Room)
Tuesday, June 28: JCC (5700 Park Heights Avenue, Baltimore, 21215 – In the Community Room)
Another sample collage
We are pleased to partner with so many different organizations on this project including the Human Element Project, Baltimore Jewish Council, Jewish Communal Services, Center for Jewish Education and the JCC.
Please contact me at 410-732-6400 x236 / firstname.lastname@example.org for more information or to register for a workshop.
Posted on February 19th, 2016 by Rachel
Last year to mark the 70th anniversary of the liberation of Auschwitz we presented a program with Shiri Sandler on the exhibit developed by the Museum of Jewish Heritage – A living Memorial to the Holocaust in New York titled A Town Known as Auschwitz: The Life and Death of a Jewish Community. Shiri shared the story of town in which Jews had resided for centuries that has come to be known as a symbol of the Holocaust. While we wanted to create a special program for the anniversary year, JMM’s commitment to Holocaust education and fostering a deeper understanding of the impact of that history on our community and wider world is ongoing.
Fron the Kulturebund
For the past ten years we have partnered with the Baltimore Jewish Council (BJC) in leading a highly successful collaborative Holocaust professional development opportunity. Our annual Summer Teachers Institute is a workshop teaching best practices in Holocaust education. Presenters are invited from around the country to share their knowledge and resources with our local educators. This year STI is planned for Monday, August 1st thru Wednesday, August 3rd and will focus on the art of the Holocaust. While the program is geared for educators, it is open to anyone interested in participating. For more information please contact Deborah Cardin at email@example.com.
This February we decided to offer three programs highlighting personal dimensions of the Holocaust story. Last week Susan Sullam shared the story of her father Joel Fisher ,who following the war worked as a Monuments Man locating goods plundered by the Nazis. This Sunday at 1:00pm we have our rescheduled lecture with Gail Prensky titled Playing For Life: Art Under Tyranny, exploring the story of a group of Jewish musicians and artists who survived Nazi Germany. Then next week, in conjunction with Chizuk Amuno, we welcome Jennifer Teege, author of My Grandfather Would Have Shot Me: A Black Woman Discovers Her Family’s Nazi Past for her presentation Discovering A Nazi Legacy: One Family’s Story. You can RSVP for Jennifer’s presentation here.
with Stephanie Satie
We are also in the process of planning one further program in remembrance of the Holocaust for later this year, again in partnership with BJC plus Baltimore Hebrew Congregation. We are very pleased to welcome Stephanie Satie back to Baltimore to perform her one woman show Silent Witness. This performance marks our 10th Annual Herbert H. and Irma B. Risch Memorial Program on Immigration taking place on Sunday, April 10th at Baltimore Hebrew Synagogue. The performance draws upon conversations and interviews with child survivors of the Holocaust and paints an uplifting portrait of human resilience.
Jakob Enoch Rosenbaum Bar Mitzvah from A Town Known as Auschwitz.
And we have begun planning for next February when we will bring together three exhibits connected to the remembrance of this tragic period in our history. First, the project that Shiri Sandler spoke about last year, second, from Yad Vashem Auschwitz Album: The Story of Transport. This exhibit contains the only surviving visual evidence of the process of mass murder at Auschwitz-Birkenau, which comes for a collection of photos taken in 1944 by either Ernst Hoffman or Bernhard Walter, two SS men stationed at the camp. Third, a project combining art and family history. Artist Lori Shocket will join us this summer to help facilitate a series of workshops where Holocaust survivors and their families are invited to develop collages reflecting their individual experiences .The pieces will be combined to create a powerful installation, showing that even in the midst of great physical destruction, the human spirit has the ability to transcend.
Posted on June 18th, 2015 by Rachel
The Good Soldier and myself in Przemysl, Poland.
After spending six weeks abroad in the beautiful country of Poland during my senior year of college, I have embarked on a professional and academic journey into Holocaust studies. While it is clearly not a cheerful topic, it is one that I find to be challenging and interesting. My graduate school experience at the George Washington University, where I am a MA Museum Studies student, has included an internship with the United States Holocaust Memorial Museum, Sociology of the Holocaust and Genocide course, and two Holocaust related classes planned for my final year. I am thankful for my internship with JMM, because through all of the horrors and devastations of the Holocaust which I have studied, this museum is a reminder of the vibrant Jewish culture which managed to survive and thrive after the Holocaust.
One of my primary projects over this summer is to perform the scheduled inventory of the JMM permanent collection. While going through a drawer, I came across two items, a crystal facet and crystal pendant, accompanied by an incredible provenance. Once again, the Holocaust became a focus point for my work.
Crystal Chandelier Facet. JMM 1986.072.032
Crystal Chandelier Pendant. JMM 1986.072.033
In December of 1938, just a month after Krystallnacht (the systematic burning of Germany’s synagogues by the Nazis) Richard Zurndorfer escaped Germany and traveled to Baltimore, MD. He managed to bring several items with him, including these crystal pieces, belonging to a chandelier from a synagogue in Mhringen, Germany, which was destroyed during Kystallnacht. A census list of European Jews and a Torah were also brought over. JMM is now home to these items.
The story of Mr. Zurnforfer made me think about how important artifacts are. While museums are always evolving to remain relevant to the public, it is crucial to remember the value of artifacts. This collection meant a great deal to Mr. Zurnforfer, who was described as “A man with respect for old traditions, he sticks like printer’s ink to his family artifacts – largely because they are the artifacts of his family,” by reporter Isaac Rehert of The Sun on January 17, 1978. In regards to the objects, Rehert says, “They tell the story of a thriving Jewish community acknowledged and valued by its sovereign, with roots deep down in Germany’s culture, with hardly a hint of the tragedy that was to overtake it.”
Whether coming across these items was strictly a coincidence, or an act of fate, I am again reminded about why I have chosen to work in museum collections. Artifacts facilitate relationships and lead to connections. In this case, the Holocaust becomes more than a Nazi, Jewish, or European issue. It becomes a Maryland, Baltimore, and JMM intern issue. I hope to have more intense thought provoking experiences like this one while I continue to inventory the collection!
A blog post by Collections Intern Kaleigh Ratliff. To read more posts from interns click HERE.