Posted on February 19th, 2016 by Rachel
Last year to mark the 70th anniversary of the liberation of Auschwitz we presented a program with Shiri Sandler on the exhibit developed by the Museum of Jewish Heritage – A living Memorial to the Holocaust in New York titled A Town Known as Auschwitz: The Life and Death of a Jewish Community. Shiri shared the story of town in which Jews had resided for centuries that has come to be known as a symbol of the Holocaust. While we wanted to create a special program for the anniversary year, JMM’s commitment to Holocaust education and fostering a deeper understanding of the impact of that history on our community and wider world is ongoing.
Fron the Kulturebund
For the past ten years we have partnered with the Baltimore Jewish Council (BJC) in leading a highly successful collaborative Holocaust professional development opportunity. Our annual Summer Teachers Institute is a workshop teaching best practices in Holocaust education. Presenters are invited from around the country to share their knowledge and resources with our local educators. This year STI is planned for Monday, August 1st thru Wednesday, August 3rd and will focus on the art of the Holocaust. While the program is geared for educators, it is open to anyone interested in participating. For more information please contact Deborah Cardin at email@example.com.
This February we decided to offer three programs highlighting personal dimensions of the Holocaust story. Last week Susan Sullam shared the story of her father Joel Fisher ,who following the war worked as a Monuments Man locating goods plundered by the Nazis. This Sunday at 1:00pm we have our rescheduled lecture with Gail Prensky titled Playing For Life: Art Under Tyranny, exploring the story of a group of Jewish musicians and artists who survived Nazi Germany. Then next week, in conjunction with Chizuk Amuno, we welcome Jennifer Teege, author of My Grandfather Would Have Shot Me: A Black Woman Discovers Her Family’s Nazi Past for her presentation Discovering A Nazi Legacy: One Family’s Story. You can RSVP for Jennifer’s presentation here.
with Stephanie Satie
We are also in the process of planning one further program in remembrance of the Holocaust for later this year, again in partnership with BJC plus Baltimore Hebrew Congregation. We are very pleased to welcome Stephanie Satie back to Baltimore to perform her one woman show Silent Witness. This performance marks our 10th Annual Herbert H. and Irma B. Risch Memorial Program on Immigration taking place on Sunday, April 10th at Baltimore Hebrew Synagogue. The performance draws upon conversations and interviews with child survivors of the Holocaust and paints an uplifting portrait of human resilience.
Jakob Enoch Rosenbaum Bar Mitzvah from A Town Known as Auschwitz.
And we have begun planning for next February when we will bring together three exhibits connected to the remembrance of this tragic period in our history. First, the project that Shiri Sandler spoke about last year, second, from Yad Vashem Auschwitz Album: The Story of Transport. This exhibit contains the only surviving visual evidence of the process of mass murder at Auschwitz-Birkenau, which comes for a collection of photos taken in 1944 by either Ernst Hoffman or Bernhard Walter, two SS men stationed at the camp. Third, a project combining art and family history. Artist Lori Shocket will join us this summer to help facilitate a series of workshops where Holocaust survivors and their families are invited to develop collages reflecting their individual experiences .The pieces will be combined to create a powerful installation, showing that even in the midst of great physical destruction, the human spirit has the ability to transcend.
Posted on June 18th, 2015 by Rachel
The Good Soldier and myself in Przemysl, Poland.
After spending six weeks abroad in the beautiful country of Poland during my senior year of college, I have embarked on a professional and academic journey into Holocaust studies. While it is clearly not a cheerful topic, it is one that I find to be challenging and interesting. My graduate school experience at the George Washington University, where I am a MA Museum Studies student, has included an internship with the United States Holocaust Memorial Museum, Sociology of the Holocaust and Genocide course, and two Holocaust related classes planned for my final year. I am thankful for my internship with JMM, because through all of the horrors and devastations of the Holocaust which I have studied, this museum is a reminder of the vibrant Jewish culture which managed to survive and thrive after the Holocaust.
One of my primary projects over this summer is to perform the scheduled inventory of the JMM permanent collection. While going through a drawer, I came across two items, a crystal facet and crystal pendant, accompanied by an incredible provenance. Once again, the Holocaust became a focus point for my work.
Crystal Chandelier Facet. JMM 1986.072.032
Crystal Chandelier Pendant. JMM 1986.072.033
In December of 1938, just a month after Krystallnacht (the systematic burning of Germany’s synagogues by the Nazis) Richard Zurndorfer escaped Germany and traveled to Baltimore, MD. He managed to bring several items with him, including these crystal pieces, belonging to a chandelier from a synagogue in Mhringen, Germany, which was destroyed during Kystallnacht. A census list of European Jews and a Torah were also brought over. JMM is now home to these items.
The story of Mr. Zurnforfer made me think about how important artifacts are. While museums are always evolving to remain relevant to the public, it is crucial to remember the value of artifacts. This collection meant a great deal to Mr. Zurnforfer, who was described as “A man with respect for old traditions, he sticks like printer’s ink to his family artifacts – largely because they are the artifacts of his family,” by reporter Isaac Rehert of The Sun on January 17, 1978. In regards to the objects, Rehert says, “They tell the story of a thriving Jewish community acknowledged and valued by its sovereign, with roots deep down in Germany’s culture, with hardly a hint of the tragedy that was to overtake it.”
Whether coming across these items was strictly a coincidence, or an act of fate, I am again reminded about why I have chosen to work in museum collections. Artifacts facilitate relationships and lead to connections. In this case, the Holocaust becomes more than a Nazi, Jewish, or European issue. It becomes a Maryland, Baltimore, and JMM intern issue. I hope to have more intense thought provoking experiences like this one while I continue to inventory the collection!
A blog post by Collections Intern Kaleigh Ratliff. To read more posts from interns click HERE.
Posted on January 26th, 2015 by Rachel
A Town Known As Auschwitz: The Life and Death of a Jewish Community
Listening to Ms. Sandler speak.
On Sunday, January 25, the JMM was delighted to host a very special speaker, Shiri B. Sandler, U.S. Director the Auschwitz Jewish Center in Oświęcim, Poland along with over 95 audience members. In honor of the 70th Anniversary of the Liberation of Auschwitz, Shiri spoke on the town of Oświęcim, which despite its long and varied history, is known for one thing: Auschwitz. However, for centuries prior to World War II, Oświęcim was home to Jews and non-Jews who lived rich and vibrant lives. And it is this side of Oświęcim’s story that Ms. Sandler sought to share. The goal of her talk was to illuminate the rich and deep history of the formerly Jewish town that has become known as the symbol of the Holocaust.
Jewish Street, with the Great Bet Midrash (on the right) and the Great Synagogue (on the left), early 20th century. Collection of Mirosław Ganobis.
Throughout her presentation, Ms. Sandler shared with us several wonderful images that together help tell Oświęcim’s story. Although her presentation was broken in to four segments: Early Years 1200s-1800s, Jewish life 1867-1939, Wartime 1939-1945, and Post-War Life and Memory, each highlighting Oświęcim’s transition over time, Ms. Sandler spent a great deal of time discussing what life was like for people directly before the war. One of the first images she shared was of a postcard that highlighted the vibrancy of Oświęcim’s Jewish community. She highlighted the rich social life with another photograph showing members of Poalei Yisrael association in the mid-1930s festively dressed in crowns and robes for the Jewish holiday of Purim. This photograph, stressed Ms. Sandler, really speaks to the essence of Jewish life in Oświęcim as one that both embraced individuality and togetherness.
Marta Swiderska (left) and Olga Pressler (right), 1934, Oświęcim. Collection of the Auschwitz Jewish Center.
Ms. Sandler also made a point to discuss the relationship between Jews and non-Jews in Oświęcim prior to its involvement in WWII. To do so, she shared a photograph of a group of boys on a public school field trip. Although it is easy to distinguish which boys are Jewish and which are catholic by their hats (Ms. Sandler explained that the students in the hats were Jewish while those without hats were catholic), the boys stand happily united in the photograph. Beyond this, Jews were also active participants in civic life, both in military service and political leadership. Ms. Sandler explained that although the mayor was frequently catholic, the deputy was often Jewish. To further illumine the harmonious relationships between Jews and non-Jews in the town, Shiri shared a photograph of two high school students on first day of classes. However, their close pose indicates that Marta Swiderska and Olga Pressler were more than schoolmates, they were best friends. Ms. Sandler explained that the photograph was taken by Olga’s father, a well-known photographer in Oswiecim, in 1934 when both girls were seventeen years old. Olga was Jewish and Marta was Catholic. The girls would meet frequently at each other’s houses and often went to the Sola River, a popular place for young people to socialize. Unfortunately, when the war broke out, Marta and Olga were forced apart. It was later discovered that Marta survived the war and still lives in Oswiecim; Olga Presler perished at Auschwitz. From there Ms. Sandler transitioned to a photograph of men walking through synagogue ruins gathering ruble. She explained that this photograph was taken in 1940 and shows the demolition of the destroyed Great Synagogue by KL Auschwitz prisoners. It is on the most poignant photographs in the exhibition as it stands in stark contrast with the vibrant images of Jewish life and indicates Oswiecim’s solemn transition into a camp.
Demolition of the destroyed Great Synagogue by the KL Auschwitz prisoners, c. 1940. Collection of Emilia Weźranowska.
To conclude her presentation, Ms. Sandler briefly discussed the impact of the Holocaust as well as rebuilding and remembering Oświęcim. It is estimated that close to 90% of the nearly 3.5 million pre-war Polish Jews perished. Thus, only about 350,000 Polish Jews survived the Holocaust. Despite the tragedy, Jews in Poland attempted to rebuild their lives both individually and as a community. Today the Auschwitz Jewish Center stands in Oświęcim and is dedicated to public education about the richness of pre-war life, the Holocaust, and the dangers of xenophobia and anti-Semitism.
It was a full house for this important talk.
A blog post by Carolyn Bevans, Museum Educator and Programs Associate. To read more posts from Carolyn, click HERE.