Sinai Hospital: A Treasure Trove of Photos

Posted on April 13th, 2017 by

The trove of photos donated to the JMM by the Baltimore Jewish Times is enormous. For the past several months, archives volunteer extraordinaire Marvin Specter has been scanning the images and making them viewable in our collections database, giving access to the images to researchers everywhere -including the JMM staff.

Marvin recently brought me a large folder of photos of Sinai Hospital—images I had not known about while preparing our Beyond Chicken Soup exhibition. I hope you will enjoy this small selection from the folder as much as I did. And please let us know if you are able to name any of the identified people shown in these photos! Email kfalk@jewishmuseummd.org.

Doctors and nurses who covered heads and faces, gloved their hands, draped pristine linens on their patients, and tossed used instruments into sterilized enameled basins marked the up-to-date- surgical procedures at the Hebrew Hospital and Asylum, c. 1920. Gift of the Baltimore Jewish Times, 2012.054.351.017.

Doctors and nurses who covered heads and faces, gloved their hands, draped pristine linens on their patients, and tossed used instruments into sterilized enameled basins marked the up-to-date- surgical procedures at the Hebrew Hospital and Asylum, c. 1920. Gift of the Baltimore Jewish Times, 2012.054.351.017.

This photo by Craig Terkowitz for the Baltimore Jewish Times, identified in the collection only as “generic hospital shot,” was probably taken in the early 1990s. It makes a nice contrast with the one above. Gift of the Baltimore Jewish Times, 2012.054.351.021.

This photo by Craig Terkowitz for the Baltimore Jewish Times, identified in the collection only as “generic hospital shot,” was probably taken in the early 1990s. It makes a nice contrast with the one above. Gift of the Baltimore Jewish Times, 2012.054.351.021.

This long line of Cadillac ambulances ferried patients from Sinai Hospital on Monument Street to the newly built hospital on Belvedere Avenue in 1959. Gift of the Baltimore Jewish Times, 2012.054.351.015.

This long line of Cadillac ambulances ferried patients from Sinai Hospital on Monument Street to the newly built hospital on Belvedere Avenue in 1959. Gift of the Baltimore Jewish Times, 2012.054.351.015.

This photo describes the nurses’ station as the “headquarters” of the emergency room at Sinai Hospital in 1996. L-R, Dr. Fred Sunness and Dr. Tariq Khan. J. Hwang, photographer. Gift of the Baltimore Jewish Times, 2012.054.351.024.

This photo describes the nurses’ station as the “headquarters” of the emergency room at Sinai Hospital in 1996. L-R, Dr. Fred Sunness and Dr. Tariq Khan. J. Hwang, photographer. Gift of the Baltimore Jewish Times, 2012.054.351.024.

Community volunteers have long filled many important roles in the work of hospitals. Here, Joshua Reiter entertains a patient in Sinai’s pediatric ward on “Straight from the Heart Day,” 1997. Kyle Bergner, photographer. Gift of the Baltimore Jewish Times, 2012.054.351.30.

Community volunteers have long filled many important roles in the work of hospitals. Here, Joshua Reiter entertains a patient in Sinai’s pediatric ward on “Straight from the Heart Day,” 1997. Kyle Bergner, photographer. Gift of the Baltimore Jewish Times, 2012.054.351.30.

Rose Birenbaum and David Weinstock stand in line at Sinai’s kosher café, new when this photo was taken in 1994. Craig Terkowitz, photographer. Gift of the Baltimore Jewish Times, 2012.054.351.056.

Rose Birenbaum and David Weinstock stand in line at Sinai’s kosher café, new when this photo was taken in 1994. Craig Terkowitz, photographer. Gift of the Baltimore Jewish Times, 2012.054.351.056.

While on Monument Street, Sinai Hospital’s gift shop was tucked under the stairs and staffed by white uniformed volunteers. Photo c. 1940, Sussman-Ochs Studio. Courtesy of Sinai Hospital of Baltimore, CP 14.2015.002.

While on Monument Street, Sinai Hospital’s gift shop was tucked under the stairs and staffed by white uniformed volunteers. Photo c. 1940, Sussman-Ochs Studio. Courtesy of Sinai Hospital of Baltimore, CP 14.2015.002.

Much enlarged in its suburban location, the gift shop was still staffed by the women of the Sinai Ladies Auxiliary, shown here in 1998. L-R: Pamela Platt, Beverly Epstein, Linda Smith, Elaine Lowen, Ann Robinson, and Debbie Effron. Kyle Bergner, photographer. Gift of the Baltimore Jewish Times, 2012.054.351.059.

Much enlarged in its suburban location, the gift shop was still staffed by the women of the Sinai Ladies Auxiliary, shown here in 1998. L-R: Pamela Platt, Beverly Epstein, Linda Smith, Elaine Lowen, Ann Robinson, and Debbie Effron. Kyle Bergner, photographer. Gift of the Baltimore Jewish Times, 2012.054.351.059.

karenA blog post by Curator Karen Falk. To read more posts from Karen click HERE. This post has also been published on the Beyond Chicken Soup: Jews and Medicine in America website.

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MedChi Releases Digital Versions of Pre-1900 Maryland Medical Journals

Posted on March 23rd, 2017 by

One of the great outcomes of our Beyond Chicken Soup exhibition was making friends and creating partnerships with institutions outside of the usual orbit of the JMM. Our friends at MedChi (the 218-year old Maryland State Medical Society headquartered in Baltimore) wrote to express support after our campus suffered some anti-Semitic graffiti over the weekend. We are grateful for their message.

Volume 1 of the Maryland Medical Journal

Volume 1 of the Maryland Medical Journal

And, by the way, they added the exciting news that their nineteenth-century volumes (65 of them, totaling some 40,000 pages!) of the Maryland Medical Journal have been digitized! Now anyone can explore these volumes at https://archive.org/details/themarylandmedicaljournal using simple (and advanced) keyword searches.

The Maryland Medical Journal debuted as a weekly publication in May, 1877. While sometimes technical, these pages can be entertaining for the non-medical browser. Descriptions of 19th century procedures, medical mysteries, For example, look for instructions on readying cobweb poultices for use: wash them, dry them in the sun, etc. They are a trove, not only for medical historians and other scholars, but also for genealogists. Have a physician ancestor in the family? Find out about their scientific interests, and also their activities in their professional society.

Check it out!

Check it out!

I checked out the name Friedenwald, of course. Dr. Harry and Dr. Aaron Friedenwald are found regularly among the volumes. In 1877, Aaron Friedenwald was elected one of the Society’s examiners for the Western Shore area of Maryland. Dr. Abram B. Arnold—Jewish doctor in Baltimore since 1849—was elected president of the Society, and also contributed a paper on Bright’s Disease (disease of the kidneys). Dr. S.W. Seldner, newly appointed consulting physician to Baltimore’s Hebrew Hospital, also contributed a paper, this time on a patient’s unusual (unfortunately fatal) case of progressive paralysis.

Take a look yourself, and let us know what you learn about your great-great grandfather the doctor (or the patient—they are sometimes named!) 19th century medical practice in Maryland.

karenA blog post by Curator Karen Falk. To read more posts from Karen click HERE. This post has also been published on the Beyond Chicken Soup: Jews and Medicine in America website.

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JMM Hacks the Museum with Museum Hack!

Posted on January 19th, 2017 by

“Professional development takes many forms,” says JMM director, Marvin Pinkert, “whether or not ‘Museum Hack’ represents a path we might follow, in the future it is without doubt a ‘best practice’ in the field of museum tours.  I was delighted that the whole professional team had the opportunity to experience it.”

The Museum Hack logo

The Museum Hack logo


Tracie: When I saw Nick Gray, the CEO of Museum Hack, give the keynote address at the Mid Atlantic Association of Museums (MAAM) in the Fall of 2016, I was intrigued. I had heard of the company before, but this was my first in-depth view of what this irreverent organization (their motto is “Museums are F***ing Awesome”) actually does. Gray’s address at MAAM was full of passion for museums and art. He was funny and crass and smart. He reported meteoric growth of his crazy idea (from hobby tours for his friends 5 years ago to a multi-million-dollar business today). The ballroom was full of museum professionals on the edge of their seats.

The Museum Hack motto takes no prisoners and its bright colors are pretty indicative of the exciting and invigorating experience JMMers were about to have.

The Museum Hack motto takes no prisoners and its bright colors are pretty indicative of the exciting and invigorating experience JMMers were about to have.

His presentation wasn’t perfect. At a meeting whose theme was about the importance of inclusiveness and accessibility, the $90 – $150 per person price tag of Museum Hack tours definitely gave folks pause. Gray was only able to say something like “we’re working on it” to the conference attendee who asked him about how very white and mostly male his staff seemed to be. Still, it was clear to me that this kooky guy was on to something. When I got back to Baltimore I told my colleagues about it. We decided that we wanted to learn more. I suggested that we take the whole staff to a Hack Tour of the National Gallery—the closest Museum Hack location. Last week, we finally made it happen.

Ten people stand in a semi-circle facing the camera to the side of the bottom of a large marble staircase.

JMMers are ready and rarin’ to go on our Museum Hack adventure!

The Museum Hack tour was like and not-like any museum tour I’ve ever been on. From the get-go, our tour guide told us that art history, composition, symbolism and all that are really interesting, but that if that’s what we wanted, we should buy a book, because that’s not what she was going to talk about.  From there we did a group, hands-in cheer of “Mu-seum!” (down on the mu up on the seum) and then took off from there to the crown jewel of the collection. We spent a little time talking about the subject of the painting, and then got a lot of history about how the National Gallery acquired it.

A young woman stands in front of a painting while others look towards her. She is holding a tote bag that reads "Museums are Fucking Awesome"

Hannah is positively gleeful as she relates the melancholy tale of Ginevra de’Benci.

The focus of our conversation about the rare Da Vinci painting of Ginevra de’Benci was the intrigue that surrounded it—from the “platonic” love affair that was broken off by Ginevra’s marriage to the James-Bond-esque suitcase in which it was transported to the museum (not unlike one that, as I type, is returning the Friedenwald volumes to the National Library of Israel!). We were invited to play mental and creative games with the artwork we encountered and with each other. In short, it was really fun.

In the few days since our National Gallery Hack, JMM staff have been having an ongoing conversation in various areas around Lloyd Street: “what if we had visitors…” and “we could invite people to…” I don’t know what the Museum Hack inspired, irreverent version of the JMM tour will look like. In fact, it may never happen. But even if there isn’t a direct product we can point to as a result of our shared experience, it has us all thinking about the Museum, our collections and our buildings in different ways.


Devan: As an artist and educator, I enjoyed the Museum Hack tour because it provided an opportunity to explore the works within the gallery while giving more backstory and historical information.  In addition, I would imagine that interactive tours like those would be beneficial for young people who are visiting cultural institutions like the National Gallery of Art as well as others around the country.  Not only would it spark more interest but assist with retention of the information so there’s at least one conscious or subconscious takeaway from the visit for them.

One of Devan's favorite pieces of the day turned out to be Tracie's selection for her museum pose!

One of Devan’s favorite pieces of the day turned out to be Tracie’s selection for her museum pose!


Karen: I’ve already retold some of the stories we heard from our tour guide, Hannah, on Friday. The long, sad story of Ginevra de’Benci had too much detail for me to remember, but I got some great mileage out of how Paul Mellon, art collector extraordinaire, was taken in by Han van Meegeren’s Vermeer forgeries. Hannah kept us interested, and moving for two hours and the time flew, although I have to say I was very grateful when she took a break—and broke the rules—and handed out chocolate.

IMG_3824

Shoes were in the way so off they come as Karen participates in one of the more kinetic activities of the day!

Some deductions about Museum Hack’s “rules” for tours that engage: 1. Use naughty words: every comedian since Lenny Bruce (at least) knows it thrills the audience; 2. Tell naughty stories (ditto); 3. Follow the money: isn’t this part of art’s allure? 4. Talk fast and walk fast; 5. Break the rules (see above: we must never, NEVER eat in the museum); 6. Have a through line—a story or activity that can thread throughout the entire tour; 7. Foster a little friendly competition, but not so much that your group can’t bond. Bottom line: I had a lot of fun!


 

The  Repentant Magdalen

The Repentant Magdalen

Deborah: As a mother who has watched the Disney film The Little Mermaid far too many times to count, I was particularly taken with the story that our amazing tour guide Hannah shared in front of the George De La Tour painting of Mary Magdalene (The Repentant Magdalen). Aside from the fact that the painting is stunning, Hannah connected the painting to a major plot point in the Dan Brown books surrounding a conspiracy to keep secret the fact that Mary Magdalene and Jesus had a child together. She then asked us to think about how this painting might be related to The Little Mermaid.

A conspiracy in action or just a good piece of art theory in practice?

A conspiracy in action or just a good piece of art theory in practice?

We were stumped until Hannah pulled out her trusty iPad and pulled up the scene from the movie where Ariel is singing “Part of Your World” about her longing to be human in a cave where she’s stashed all of her human treasures. Lo and behold, one of the things in her cave is a painting of Mary Magdalene from the same series that we were looking at! (Specifically, the painting Magdalen with the Smoking Flame.) This detail (along with the fact that both De La Tour’s Mary and Ariel have red hair) has led to an abundance of conspiracy theories involving Disney.

Deborah also won the “find a new lover for Ginevra de’Benci” contest, with her entry of Mary Magadelene, theorizing that these two put-upon women could find support and affectionate understanding with each other.

Deborah also won the “find a new lover for Ginevra de’Benci” contest, with her entry of Mary Magadelene, theorizing that these two put-upon women could find support and affectionate understanding with each other.


Marvin: I was impressed with the way that our guide engaged the audience.  One exercise involved finding potential companions for the unhappy young subject of DaVinci’s painting Ginevra de’Benci and capturing their images on our cell phones.  Another involved creating a tableau vivant of Copley’s painting of a shark.  While an art museum is very different than a history museum (the Lloyd Street ark doesn’t really lend itself to a tableau), the thought process about how to put the visitor into the action is something that I hope will animate our future thinking about tour experiences.

Presenting selections for Ginevra's new match.

Presenting selections for Ginevra’s new match.


Graham: While I have been to the National Gallery of Art many times, I have mostly explored the galleries on my own, so I was excited to go on Museum Hack’s tour. I enjoyed hearing some of the backstories about how the art was acquired and shipped to the NGA. I also liked learning about a forged Vermeer painting, international intrigues and exploring hidden corners of the Museum. I found the tour to be very high energy and interactive. It was fun re-enacting John Copley’s painting Watson and the Shark and posing in front of sculptures. It was also entertaining playing games like imagining romances between figures in artwork.

Joanna and Trillion present their best ballet legs in the Degas gallery.

Joanna and Trillion present their best ballet legs in the Degas gallery.

I liked how our guide incorporated technology into her tour, such as with her iPad and our smart phones. I appreciated receiving chocolate halfway through the day as a way to help alleviate “museum fatigue.” I believe that these kinds of tours are a great way to reengage millennials at museums. I look forward to working with our team to see how we may be able to incorporate some of these elements into our tours of Lloyd Street and B’nai Israel synagogues.


Joanna: The Museum Hack tour was a lot of fun, and not only because it’s always better to be in an art museum on a Friday. I’m not usually a tour-taker, but Hannah’s style – presumably typical of the Museum Hack guides in general – was informative, funny, brisk, and colloquial, making for both an entertaining morning (any morning that involves a tableau vivant is likely to be a good one) and a nice validation of my own style of tour-giving, which if not brisk is definitely colloquial.

JMM does its best Watson and the Shark – what do you think, did we pull it off?

JMM does its best Watson and the Shark – what do you think, did we pull it off?

That’s not everyone’s cup of tea, of course, but used in combination with more traditional formats, I think this type of tour can bring in new audiences, and give us a way to tell other, less academic or “main theme” stories about artifacts, art, and documents.  But please, no tableaux vivant in the JMM galleries without making sure there’s plenty of floor space!


Trillion: Working in public programs I was especially excited to attend the Museum Hack tour last week at the National Gallery of Art. I was hoping to find inspiration for future programs and I wasn’t disappointed. One of the things I found most enjoyable was the different ways in which we were encouraged to engage with the collection. Knowing a little about Museum Hack I anticipated posing beside art and recreating famous paintings as a team (technically referred to as tableau vivant) but what I found really interesting was our search for a suitor for Ginevra de’ Benci. It was a wonderful way of ensuring that we continued to explore and engage with the many pieces not featured ono our tour. As we shared our selections at the end of the day it was interesting to see artworks that hadn’t previously caught my eye.

Here's Trillion's selection for a new partner for Ginevra de’ Benci painted by Jean Siméon Chardin.

Here’s Trillion’s selection for a new partner for Ginevra de’ Benci painted by Jean Siméon Chardin.


Rachel: I’ve been to the National Gallery many times before – it’s one of my favorite places in DC to grab a few moments of calm and delight (I particularly love the many fountains and their related, ever-changing plant accessories – this time there were tiny potted orange trees with actual oranges on them!). I’ve even been lucky enough to get a specialized tour from Art Services Manager Daniel Shay (his daughter, Ginevra Shay, now the artistic director at The Contemporary, was once my winter intern in the photography collection!). But it is always fun to get a new perspective on a familiar favorite – and Museum Hack did not disappoint.

Hannah and The Alba Madonna.

Hannah and The Alba Madonna.

Being a “behind-the-scenes” type museum person, I especially enjoyed Hannah’s tales related to The Alba Madonna, including the Soviet sale of Hermitage paintings – and Russia’s desire to “borrow” the painting back at the end of the century. (If you meet Hannah, ask her about Titian’s Venus with a Mirror and its Russian reception!) Overall I loved the blend of facts about the pieces of art themselves with the stories of their journeys to the National Gallery.

Collections Manager Joanna blanches at the description of transferring The Alba Madonna from its original wooden backing to the canvas it lives on today – it was quite a piece of mad, experimental conservation science!

Collections Manager Joanna blanches at the description of transferring The Alba Madonna from its original wooden backing to the canvas it lives on today – it was quite a piece of mad, experimental conservation science!

Based on our post-tour lunch conversations and the many murmurings around the office, I think we can declare our Museum Hack experience a success!

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