Wiesel and Memory

Posted on July 5th, 2016 by

Elie Wiesel was a “master rememberer”. He used the painful recollections of his youth to paint a vivid portrait of the most extreme inhumanity, in terms that would move all but the coldest hearts. He spent most of his adult life looking backward to offer the rest of us a clearer view of the moral path ahead.

With his passing on Saturday, I searched my own memories – reading Night in my senior year in high school, listening to an interview with Wiesel on TV – and then I asked the question, “is there anything in the collections of the Jewish Museum of Maryland concerning Elie Wiesel?”

A quick on-line search brought me to the files of Louis L. Kaplan. Dr. Kaplan, who had an incredible 40 year career as president of Baltimore Hebrew University (1930-1970), also carried on correspondence with Elie Wiesel before and after his retirement. That correspondence became part of the Kaplan papers that were accessioned by JMM in 1994. In addition, when we received the archives of Baltimore Hebrew University in 2009 there were a number of photos and articles related to Wiesel added to our collection.

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This early photo of Wiesel and Kaplan appears to date to 1973 when the author was promoting his book The Oath. JMM 2009.40.5074

 Wiesel and Kaplan crossed paths again when Wiesel served as chairman of the United States Holocaust Memorial Council in the 1980s. Kaplan at the time was an advocate for the construction of a memorial here in Baltimore. I ran across a photocopy of a letter from Kaplan to Wiesel that I found intriguing:

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JMM 1994.205.266

I need to confess that I was initially puzzled about what Kaplan meant by your “absence understood by me”. What kept Wiesel away from the cornerstone laying ceremony for the Holocaust Museum?

I turned to an excellent history of the USHMM by Edward Linenthal, Preserving Memory: The Struggle to Create America’s Holocaust Museum (2001). Linenthal talks about the tumultuous end of Wiesel’s service as head of the Council planning the Museum. Apparently, there was dissatisfaction in 1986 about the pace of fundraising, project development and decision-making. Wiesel’s philosophy was that the memory of these events was so precious that great caution was merited. He was quoted as observing “We have to be sure of what we are doing, rather than go fast in the wrong direction. We could build something that was the wrong statement and then history would never forgive us”.

With tensions rising, Wiesel decided to resign his post in December of 1986. He was replaced by Baltimore businessman, Harvey “Bud” Meyerhoff. Meyerhoff is given credit for turning around the fundraising and building planning operation, paving the way for the institution to open its doors in 1993. As can be inferred from the Kaplan letter, Wiesel stepped away from public events associated with the Museum from 1987 until the opening ceremony. Still, his vision was a powerful influence on the final outcome and his words on the inaugural day bear remembering:.

Now, a museum is a place, I believe, that should bring people together, a place that should not set people apart. People who come from different horizons, who belong to different spheres, who speak different languages—they should feel united in memory. And, if possible at all, with some measure of grace, we should, in a way, be capable of reconciling ourselves with the dead. To bring the living and the dead together in a spirit of reconciliation is part of that vision.

As we prepare for next year’s Remembering Auschwitz exhibit we will try to live up to Wiesel’s high standard for museums – to be a place that brings people together, united in memory.

MarvinBlog post by Executive Director Marvin Pinkert. To read more posts from Marvin click HERE.

 

Posted in jewish museum of maryland




Owning our “Roots”

Posted on June 1st, 2016 by

At the AAM Conference in DC last week, my favorite session (somewhat unexpectedly) was the networking meeting of the traveling exhibits group.  In this unusual “speed dating” exercise, 35 exhibit providers are allowed about 2 minutes each to pitch their latest traveling exhibits.  I came to promote Beyond Chicken Soup:  Jews and Medicine in America as well as our future exhibit American Alchemy: From Junk to Scrap to Recycling.  But what started out as a sales effort soon became an exercise in nostalgia.  To start with I ended up being seated at a table comprised of staff from my two former employers – Chicago’s Museum of Science and Industry and DC’s National Archives Museum – walking in at that awkward moment when they were sharing “Marvin” stories.  When the program began Kelly Fernandi of Minotaur Mazes was the lead-off speaker and he gave a shout out to me and to The A-Mazing Mendes Cohen.  When it was my turn, I included a joke about the Paul Simon exhibit and several subsequent speakers slyly referenced my name as a way to link to that joke.  The last person on the agenda was “Dino” Don Lessem.  Don has developed a specialized enterprise that mounts large national tours of dinosaur exhibits coming out of China.  As he finished his pitch, he said “and I want you to know that I wrote a play 42 years ago in which Marvin played a singing dog”.  The room cracked up, but Don was telling the truth.  We were classmates at Brandeis and he wrote a musical orientation show based on the Wizard of Oz and yes, I was Toto.  What had started as a sales meeting had become a roast!

The meeting also triggered a serious thought about how we own or deny our past, both personal and collective.  It is easy to lay claim to resume achievements – a whole lot tougher to embrace what we’ve learned from our personal failings – and tougher still to accept ownership of the historic failings of our society.  In Judaism, our annual recitation of the “al cheyt” prayer is just one example of a recognition that we need to take ownership of acts we did not personally commit but are still a part of our communal legacy.

This is all an explanation of why I’ll be watching this week’s remake of the mini-series “Roots” with such keen interest.  For the original series, the executive producer was David Wolper and the producer was Stan Margulies.  Several of the directors and writers of individual episodes were also Jewish.  The idea of re-introducing the series for the 21st century has its origins with David’s son Mark Wolper.

The History channel has commissioned a remake of the miniseries after acquiring rights from David L. Wolper's son, Mark Wolper, and Alex Haley's estate.

The History channel has commissioned a remake of the miniseries after acquiring rights from David L. Wolper’s son, Mark Wolper, and Alex Haley’s estate.

This is the way he describes the start of his journey in the Observer:

The younger Wolper knew that he had to create a new version of the series after having a tumultuous time getting his own 16-year-old son to watch it. “It was very difficult to keep his attention. After it ended he said, ‘Alright Dad, I understand why this is important, but it’s like your music, it just doesn’t speak to me.’ In that moment I knew why we needed to do this. No one is going to go back and watch it – it’s 40 years old and it looks very dated, it’s slow, it’s not produced at the high level that television is produced at today so I knew it needed to be redone.”

One of his early steps was to recruit LeVar Burton, the original Kunte Kinte, as co-producer.  In an article in Mother Jones, Burton is asked why he would choose to remake a piece of media as iconic as “Roots”.  I found his response interesting:

Well, how often have we seen Holocaust stories? I bring that up because there’s a wonderful tradition in Jewish culture that is about “never forget.” In insisting that this story is passed onto each successive generation, it has become part and parcel of Jewish identity. Human beings have remarkably short memories, and so it is essential that we continually remind ourselves.

Short memories – and powerful mechanisms for distancing ourselves from history we find uncomfortable.  In the time of slavery, Jews were a part of a white society that benefited from the suffering of slaves. My ancestors did not arrive on these shores until the 1890s, however, when our family accepted the mantle of American citizenship we became owners of all of American history – the glory of our democracy, the success of our innovation and the horrors of our exploitation of peoples of color.

So this Memorial Day, I simultaneously take pride in the role of American Jews in pushing our nation towards accepting accountability for a troubled past, and repentance for historic actions (and in-actions) that we can never fully repair – pardon us, forgive us, atone for us.

 MarvinA blog post by JMM Executive Director Marvin Pinkert. To read more posts from Marvin click HERE.

Posted in jewish museum of maryland




JMM Insights: It’s a Beautiful Day in the Neighborhood

Posted on May 20th, 2016 by

Jonestown horizontal 4C

WELCOME!

On May 29 we’re putting out the welcome mat as six of greater Jonestown’s well established historic and cultural attractions celebrate the arrival of three brand new facilities planned over the next few years.  We hope you’ll join JMM, the Carroll Museums, Zion Church of Baltimore, Star-Spangled Banner Flag House, Port Discovery, the Reginald F. Lewis Museum of Maryland African American History and Culture, and B’Nai Israel: The Downtown Synagogue, in saying “welcome!” to our future neighbors.

We thought it might be a good idea to share the backstory behind this event.  Most of you will recall that last October we facilitated the development of the Jonestown Vision Plan and the launch of the new Jonestown brand identity.  In the months since, we’ve continued to work closely with the community and Historic Jonestown Inc. (HJI), led by Lindsay Thompson and Joe Cronyn on ways to put our ambitious goals into practice.

HJI is in the process of organizing itself into affinity groups, bringing together the neighborhood’s social service organizations, its religious institutions, its hospitality industry and its historic/cultural organizations to work on parts of the plan that are a natural fit with each group.  Our historic/cultural group has been concentrating on events and programs.  We felt very fortunate to be included in the Carroll Mansion’s current partnership in support of the All American House and we are studying other two-way and three-way collaborations to bring life to the streets of Jonestown, including tentative plans for a plein air art experience on surrounding streets later this summer.

Meanwhile we’ve had some terrific news about institutions bringing new activity and energy to our immediate vicinity.  Just a block away from the Lloyd Street Synagogue, Ronald McDonald House is well on its way to starting construction on a new facility.  The new Ronald McDonald House, which will be built at 1200 E. Baltimore Street, will reflect a commitment to incorporate best practices into all of its programs and services. The new house is intended to fulfill an institutional goal of establishing Baltimore as providing not only quality pediatric care but the most effective and compassionate family-centered care in the world.  Amenities included in the design of the new house were carefully selected through input from staff, volunteers and families. The new House will serve approximately 55 families daily and 2,200 families a year.  We intend to extend outreach to both volunteers and families. The coming of the new facility will also mean upgrades for the adjacent McKim Park.

And just a block away from the park, at 1100 E. Fayette Street, Kevin Plank and Under Armour have provided more than $6 million in support for a new recreation center, scheduled to open later this year.  The new center will be operated by Living Classrooms.  Jonestown’s cultural institutions are exploring ways to engage youth at the new center in our ongoing programs.

Go just a few blocks further down Fayette  Street and you’ll come to 901, announced last January as the new site for the National Aquarium’s animal care and rescue center.  Preparations are beginning now for an anticipated 2018 opening.  The Aquarium hopes to provide some public access to this behind-the-scenes space.  Jonestown has been welcoming new immigrants for more than 200 years – now we’ll have new arrivals with fins and tails as well.

Welcome to the New Neighbors!

Welcome to the New Neighbors!

It seemed like a great time to bring these new institutions into the Jonestown family.  From 1pm to 4pm we’ll have family activities for every taste.  Art projects, craft work, storytelling from Port Discovery and our new friends at the National Aquarium are bringing with a bearded dragon… just in case you’ve never seen a real dragon, or at least a real dragon with a beard. Admission to the Museum and to all the activities is free.

Happy birthday Mr. Jones!

Happy birthday Mr. Jones!

Speaking of every taste, there will also be birthday cake.  Whose birthday you ask?  Well Jonestown, of course.  On June 15, 1641, David Jones built his home by the falls that bear his name (not to mention the expressway they put on top of it).  So we’ve decided to jump the gun just a little and pull out the 355th birthday cake at our Jonestown celebration.  It seems a fitting way to mark a milestone for Baltimore’s oldest neighborhood and newest destination:  Jonestown – proudly we hail.

~Marvin Pinkert

Posted in jewish museum of maryland




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