Posted on April 23rd, 2012 by Rachel
A Blog Post by Senior Collections Manager Jobi Zink
While I was home for Passover, we went to New York City to visit the Metropolitan Museum of Art.
My AAM card got me in for free (saving $20 suggested admission fee). My dad used in old teacher’s pass and he, Jordana and Eric also got in for free.
We specifically went to see The Steins Collect: Matisse, Picasso, and the Paris Avant-Garde. This temporary exhibition occupies nine galleries on the third floor and is absolutely amazing! Gertrude Stein and her brothers Leo and Michael, and sister-in-law Sarah lived in Paris during the early 20th century. Although they did not have a lot of money, they were interested in purchasing art. They amassed a tremendous collection of works by young, talented, and virtually unknown artists including Pablo Picasso and Henri Matisse.
The Steins hung the works salon-style in their 460 square foot studio in Paris at 27 Rue de Fleurus, represented in a full size at the beginning of the exhibition. In order to accommodate new acquisitions, they frequently moved and rearranged their artwork. Fortunately, the Steins also took photographs of their various installations. The curatorial team relied on over 400 photographs to curate the exhibition. Eric particularly enjoyed the juxtaposition of the exact paintings that were documented in the large photomurals in each of the galleries.
The Steins opened their apartments on Saturday afternoons, allowing visitors to see their collection, shaping art appreciation for future generations. When the Steins found themselves low on funds to buy more art, they would sell pieces of their collection. Clara and Etta Cone of Baltimore were frequent buyers, and thus it was not surprising that several pieces on display were on loan from the Baltimore Museum of Art. http:///www.artbma.org/collection/overview/cone.html
Picasso’s famous portrait of Stein reminded me of a line from The Paris Wife by Paula McLain where Gertrude Stein plays prominently in shaping Ernest Hemingway’s writing career. In the book Hadley and Ernest wonder, “How much do you think Gertrude’s breast weigh?” My father used the audio tour and found that it provided more information than the text panel about the rift between Gertrude and Leo.
Photography is not allowed in the exhibition, but the link below will provide you with highlights from the exhibition.
After the signing exhibit me I’ll when I separate ways and explore different parts of the museum. My dad was enthralled with the painting of Napoleon at battle. http:///www.metmuseum.org/Collections/search-the-collections/110001498
Eric spent two more hours in the hall of armor.
Eric poses with Henry VIII armor
My sister and toured the American Period Rooms –installations of original furnishings and structures from of the most impressive homes in the country. My sister was particularly taken by and tables and other large furniture created by the Harter brothers, well I enjoyed paintings by Thomas Dewing, Tiffany lamps and Frank Lloyd Wright’s Prairie style home.
This is the side of the Vanderbilt library table with mother-of-pearl inlay by the Harter brothers.
We all enjoyed the temple of Dendur installation – an actual in Egyptian temple that was saved in 1965 before the Nile River was intentionally flooded.
As you can see, even if you don’t have a free pass, the museum is well worth it!
Posted on March 5th, 2012 by Rachel
A blog post by Senior Collections Manager Jobi Zink.
One of the “selling” points of the CAJM conference inDetroitwas the many museums that we would go to. Rather than just attending sessions in one hotel or conference center, we toured a number of museums. Several of the sessions were then related to the exhibitions we just saw.
We began Tuesday morning at the Charles H. Wright Museum of African American History (www.thewright.org)
While I remember Chris Webber for calling a time out for University of Michigan during the 1993 NCAA Championship game when his team did not have any time outs remaining, I learned that he began to collect African American artifacts in 1994. His collection,including slave records and costumes worn by James Brown, was donated to the Wright in 2007.
Our final conference sessions were held at the Detroit Institute of art (www.dia.org). As an art history major specializing in American Art, I felt like I was in heaven!
We ate lunch in the Rivera courtyard, surrounded by “Detroit Industry” murals by Diego Rivera. Rivera was a Marxist who believed that art belonged on public walls rather than in private galleries; he also gave the worker and the manager equal stature in art and in life.
For more details about the 27 panels that Rivera completed in just 11 months click on this link: http:///www.dia.org/art/rivera-court.aspx
I had a flashback to our February 10th field trip to the National Gallery of Art when we came to “Watson and the Shark” by John Singleton Copley. This is the third and smallest version of this painting. The second painting is in the Museum of Fine Arts, Boston.
Encountering “First State Election in Detroit, Michigan, 1837” by Thomas Mickell Burnham was very timely as Tuesday was theMichigan primary!
Rabbi Sprinzen would be proud that I can still read “Sampson” and “Delilah” in Hebrew. I love the frames on the Elihu Vedder paintings, too!
This piece reminded me a little bit of the Hutzler Cabinet. Must be all of that dark wood and intricate design.
I’ve always found the triptych “Classical Figures” by Thomas Dewing to have a calming effect on me.
I had no idea that all of this amazing art and history was hidden in Detroit. Thank you, Deborah, Josh, Terri & Stephen and the rest of CAJM, for the opportunity to see it all!
Posted on March 2nd, 2012 by Rachel
A blog post by Senior Collections Manager, Jobi Zink
This week I went to Detroit, Michigan for the Council of American Jewish Museums (CAJM) conference. I’ll be honest. I didn’t want to go. After all it was Detroit in February. I was expecting 3 feet of snow on the ground, whipping wind, gangs, abandoned houses, and open drug trade.
Axel Foley (character in Beverly Hills Cop), Rapper Eminem and the movie 8 Mile did not leave an overwhelmingly positive impression of Detroit.
After 4 days of touring museumsin the city and suburbs, my opinions have greatly changed! Mother Nature cooperating with 40 degree days certainly helped, but the arts scene was truly impressive.
It isn’t a trip to Detroit without some Motown.
The Cranbrook Art Museum is on a 175-acre campus. The museum just underwent a $22 million dollar renovation—I couldn’t wait to check it out! http:///www.cranbrookart.edu/museum/
Eliel Saarinen designed the museum in 1942. The sculpture and ponds seem like a natural extension of the building.
Rachel, Elena &LeighAnn relax on a bench in front of a Sol LeWitt mural, part of No Object Is an Island: New Dialogues with the Cranbrook Collection.
The Henry Ford Museum was another enormous facility—the galleries alone are 3 acres, and then there is Greenfield Village and the factory. We only had one hour to tour the exhibitions before sessions began on Monday morning. http:///www.thehenryford.org/
The “exploded” Model T allows visitors to see how the car is assembled, even without visiting the factory.
While many visitors are awestruck by the John F. Kennedy Limousine, I was charmed by Teddy Roosevelt’s Presidential horse-drawn carriage.
It was very powerful to hear the recorded testimony of Rosa Parks about why she didn’t move to the back of the bus in Montgomery, AL in 1955 while I sat in the very seat in the second row that she refused to vacate.
The “With Liberty and Justice for All” exhibition had the chair in which Abraham Lincoln was sitting when he was assassinated by John Wilkes Booth at the Ford’s Theater in Washington, DC in April 1865.
Someone was working on one of the giant engines in the collection.
E.T. would have his choice of phones. While I didn’t see many cordless phones from the 1990s, the Iphone 4S is on display in the lower left corner.
Model kitchen from the 1930s made me think of the Chosen Food exhibition, as did the model kitchen at the Arab American National Museum.
The dome above a fountain in the lobby and mosaic in the hallway of the Arab American National Museum. http:///arabamericanmuseum.org/
No one from the CAJM contingency was surprised that there were suitcases at the beginning of the main exhibition, “Coming to America.”
The empty case was a powerful reflection of a refugees account, “we brought nothing with us.”
Docent Guy Stern, who just turned 90, gave us a personal tour complete with anecdotes of the “Ritchie Boys” exhibit that he curated at the Holocaust Memorial Center. www.holocaustcenter.org
Check back on Monday for Part II!