Posted on October 18th, 2012 by Jennifer
Eddie Rosenfeld painting a canvas in a field. Courtesy of Licien Harris. 2001.57.1
Edward Rosenfeld, 1906-1983
Papers, n.d., 1876-1982
The Jewish Museum of Maryland
Black and white photo postcard with Edward Rosenfeld, center, and two other boys, n.d. Courtesy of Licien Harris. 1918.104.22.168
ACCESS AND PROVENANCE
The Edward Rosenfeld Papers were donated to the Jewish Museum of Maryland by Licien Harris in 1998, 2000 and 2001 as accessions 1998.147, 2000.072, 2000.134 and 2001.057. The collection was reprocessed in November 2002 by Robin Waldman and Erin Titter. MS 57 originally contained only the 2000.72 materials.
Access to the collection is unrestricted and is available to researchers at the Jewish Museum of Maryland. Researchers must obtain the written permission of the Jewish Museum of Maryland before publishing quotations from materials in the collection. Papers may be copied in accordance with the library's usual procedures.
Edward (Eddie) Rosenfeld was born in Baltimore in 1906 and lived in Walbrook. Eddie had two or three brothers and two sisters, but he never married. Eddie's father had a shoemaker shop on Baltimore Street. Eddie had an early job as sign painter's apprentice, and went to Maryland Institute College of Art for about one semester. During the war, Eddie had a job in Washington, DC framing pictures. Later, Eddie returned to Baltimore and rented and subsequently bought a house on Tyson Street before the house was renovated and the neighborhood was revitalized. He was long known as “The Mayor of Tyson Street” due to the regentrification of Mount Vernon that Rosenfeld was integral in initiating in the 1940s. A group of artists including Carl Metzler, Aaron Sopher, Reuben Kramer, Jacob Glushakow & Eddie would meet regularly there to paint and critique each other's work. Eddie was also a part of a weekly lunch group with Jim Brady, Donald Proctor, and Dr. Neustadt, who met at the Belvedere Hotel or Rosenfeld's house. Rosenfeld’s works are owned by many known repositories of art, including the Jewish Museum of Maryland, the Baltimore Museum of Art, and the Phillips Collection. When Eddie Rosenfeld died in 1983 he donated his body to science and was subsequently buried in Spring Grove Cemetery.
Edward Rosenfeld in doorway of house on Tyson Street in Baltimore, n.d. Courtesy of Licien and Barr Harris. 2000.134.3
SCOPE AND CONTENT
The Edward Rosenfeld Papers represent the life of Baltimore artist Edward Rosenfeld. The collection is divided into two series: Series I. Documents, n.d., 1876-1982. Series II. Photographs, n.d., 1917-1979.
Edward Rosenfeld and Callie Cochran with three teenage girls looking at a poster for the Equal Opportunity Commission, n.d. Courtesy of Licien Harris. 2000.72.33
Series I. Documents contains scrapbook materials that Rosenfeld gathered both about his artistic career and about his Tyson Street neighborhood. Further notable inclusions are several sketches by Rosenfeld, a drawing by Jacob Glushakow, and a print by Jane Dwyer.
Series II. Photographs (housed as MS 57 Box 3) contains photographs of Edward Rosenfeld, his mother, family members, his paintings, his work with the Equal Opportunity Commission, his childhood home in Walbrook, and his home at 913 Tyson Street. Folders are arranged alphabetically by folder title.
Edward Rosenfeld painting a water scene while standing on a dock, n.d. Courtesy of Licien Harris. 1922.214.171.124
Posted on April 12th, 2010 by Rachel
The Baltimore Jewish Times publishes unidentified photographs from the collection of Jewish Museum of Maryland each week. Click here to see the most recent photo on their website. If you can identify anyone in these photos and more information about them, contact Jobi Zink, Senior Collections Manager and Registrar at 410.732.6400 x226 or firstname.lastname@example.org.
Date(s) run in Baltimore Jewish Times: 3/5/10
Accession #: 2006.013.1132
Status: Unidentified. Several women and men around a table with paints and brushes on it looking at a painting on an easel at the head of the table. Two women are in the background on ladders in front a much larger version of the same painting. Sara Miller is standing on the ladder on the right. All others are unidentified.
Special thanks to: Ellwood Miller, Joyce Pabb