Remembering Auschwitz By the Numbers

Posted on March 10th, 2017 by

Performance Counts: March 2017

This past Sunday, we opened Remembering Auschwitz: History, Holocaust, Humanity, a unique and important exhibit that encourages visitors to explore Holocaust history and commemoration through the lens of Auschwitz. The following are some interesting facts and figures about the exhibit.

Photo by Will Kirk

Photo by Will Kirk

>Number of Exhibits on Display: 4 (A Town Know As Auschwitz: The Life and Death of a Community, Architecture of Murder, Loss And Beauty: Photographs by Keron Psillas and The Holocaust Memory Reconstruction Project)

>Number of Years Exhibit Has Been in the Works: 2 ½ years

Deborah leads a docent tour through "Remembering Auschwitz"

Deborah leads a docent tour through “Remembering Auschwitz”

>Percentage of Jewish Population in Oswiecim (the name of the town prior to Nazi occupation in 1939) in the Years Prior to the Holocaust: As high as 50%

>Number of Synagogues in Oswiecim prior to 1939: 30

>Percentage of Jewish population of Oswiecim Murdered at Auschwitz: 90%

Detail of "Architecture of Death" panel

Detail of “Architecture of Death” panel

>Year in Which Construction of Auschwitz Commenced: 1940

>Number of Camps Constructed at Auschwitz: 3 main camps (Auschwitz I, Auschwitz II – also known as Birkenau and Auschwitz III – also known as Buna and Monowitz

> Estimated Number of Inmates Murdered at Auschwitz: 1.1 million including 1 million Jews

Photo by Will Kirk.

Photo by Will Kirk.

>Number of Photos on Display By Keron Psillas: 25

>Number of Miles Photos Traveled from their Last Installation in Hollywood, Florida: 1080 miles

Photo by Will Kirk.

Photo by Will Kirk.

>Number of Collages Created as Part of the Holocaust Memory Reconstruction Project: 91

>Number of Countries of Origin of Individuals Honored Through Collages: 12

Photo by Will Kirk.

Photo by Will Kirk.

>Total attendance at Sunday’s opening: 242 people

>Number of Related Programs Planned Over the Next Three Months: 16

>Date Exhibit Ends: May 29, 2017

Of course, numbers alone do not tell the whole story, certainly not of the devastation of the Holocaust, nor the impact that we hope this exhibit will have on our visitors. It was an extraordinary experience watching families who participated in the collage making workshops gather around their plaques on display with tears in their eyes and pride in the knowledge that their family members’ stories now have permanent homes at the JMM. While it is too soon to report on the total number of visitors which will include many school group visitors, we look forward to keeping you posted.

~Deborah Cardin, Deputy Director

Posted in jewish museum of maryland




The Impact of Federal Funding on JMM

Posted on February 10th, 2017 by

Performance Counts: February 2016

The JMM relies on many different funding streams to support our exhibitions, educational programs, public programs and ongoing operational needs. As our exhibits tend to be our most costly initiatives, we typically develop a multi-year fundraising strategy for each project that targets a mix of private and public prospects from individuals, foundations, corporations and government agencies. We have been especially fortunate over the past few years to have received significant federal support for our exhibits that have provided vital funds for such activities as planning, exhibit design and fabrication and have helped us leverage additional funding from private sources. Total government support in the FY 16 budget (including both federal grants and state funds through the Maryland State Department of Education SAI program and Maryland State Arts Council) was $493,000.

Happy 50th!

Happy 50th NEH!

Our two principal federal funders are the National Endowment for the Humanities (NEH) and the Institute for Museum and Library Services (IMLS). Through its Public Humanities Project initiative, NEH funds exhibitions that are grounded in the humanities and offers support for both project planning and implementation. The application process is rigorous and requires an intensive amount of staff time for researching humanities connections as well as writing detailed responses to each question of the narrative and preparing budgets and other supporting documentation in the form of letters of support, bibliographies, staff resumes and other relevant material. Applications are subjected to several rounds of review by both NEH program staff as well as a peer review process that involves museum colleagues from museums around the country. The JMM has a long history of successful applications including our most recent award of an implementation grant in the amount of $300,000  for Beyond Chicken Soup. We have recently submitted a planning grant application for our new core exhibit, Belongings and are hopeful that it, too, will be awarded. The NEH stamp of approval is a powerful tool for fundraising and also serves as a mark of distinction among the museum community.

IMLS

IMLS

Likewise, we have frequently been awarded grants from IMLS. Our most recent submission, through the Museums for America initiative, was awarded $150,000 in support of Scrap Yard: Innovations of Recycling. As with NEH, the grant application process is challenging and requires many hours of staff time to complete. The review process is also similar and involves several rounds of evaluation by program staff and peer reviewers. Having participated in panel reviews of other institutions’ applications, which requires many hours of reading applications and then debating their merits over the course of two days of meetings with colleagues from other museums, I can attest to the rigorous vetting process in which applications are subjected before a determination is made of whether or not to award funding. This makes our track record of success especially rewarding.

Robyn and Esther at Museum Advocacy Day 2013.

Robyn and Esther at Museum Advocacy Day 2013.

Because both NEH and IMLS are federal agencies, their budgets are authorized annually by Congress. In recent weeks there has been talk about defunding NEH and IMLS funding prospects are unsure as well. Clearly cuts to these agencies would be detrimental not only to the JMM but to the larger community of museums and historic sites that serve as vital communal educational resources. We are actively engaged in several advocacy efforts to make our voices heard in this debate.  The Greater Baltimore History Alliance (GBHA), a consortium of forty local history museums, is developing a statement of support on behalf of the NEH. We will be represented at the American Alliance of Museums’ Advocacy Day, at the end of February, by JMM consultant and docent extraordinaire, Robyn Hughes. During the two days of meetings with congressional delegations, museum professionals and volunteers from around the country will convey the important message urging our representatives to maintain level funding of all federal arts and humanities agencies.

We encourage citizens who share the belief that history and heritage matter to let their voices be heard by their representatives on this important topic.

deborahA blog post by Deputy Director Deborah Cardin. To read more posts from Deborah click HERE.

Posted in jewish museum of maryland




The Last Drop of Chicken Soup

Posted on January 13th, 2017 by

Performance Counts: January 2017

The time has come. On Tuesday, January 17, the doors to the Feldman gallery will remain closed, even when the Museum opens at 10 AM, so that our ambitious exhibit, Beyond Chicken Soup: Jews & Medicine in America, can make way for the next occupant of the 2000 square foot space. It will also need to be made ready for its next venue, the Maltz Museum of Jewish Heritage.

Lest you think this is merely a matter of packing a box or two and heading to Cleveland, we thought we’d review some of the numbers of where Beyond Chicken Soup has been and what it takes to get it to the next step.

The exhibition consists of 229 artifacts, of which, 82 are on loan from other institutions or individuals. The artifacts from the JMM collection will be lovingly returned to their homes in our collections, until it is time for them to be meticulously packed for travel. Some of the materials on loan will be returned to their owners only to be re-borrowed. A conservator from the National Library of Israel will be traveling 6000 miles to oversee the removal of 8 volumes on loan from NLI. She will hand-carry her precious cargo, originally collected by Dr. Harry Friedenwald, the 6000 miles back to Israel. These volumes, while an important and impressive part of the exhibition, are too fragile to go on tour.  Instead, we have hired an expert book binder to spend approximately 70 hours creating facsimiles of each of them. The facsimile copies will be created precisely to mimic the original volumes, down to the way they sit in their cradles.

To be facsimiled!

To be facsimiled!

Beyond Chicken Soup boasts 25 cases, 122 panels and 131 captions that will all need to be crated or palletized for storage and eventually to travel the 364 miles to the Maltz Museum of Jewish History. There are 10 screens (5 TVs, 3 touchscreen monitors and 2 iPad tablets), 8 hands-on activities, and 3 audio loops from oral histories. The technology will require its own special treatment as it makes ready for its new home. There is precisely one “slice” of a real ambulance with working lights that will need to be removed from the wall and prepped for shipping. Additionally, there are 26 images or quotes that are applied directly to the wall. These will need to be re-printed for each new venue at which the exhibition appears.

Just one of the many environments to be de-installed, packed, and shipped!

Just one of the many environments to be de-installed, packed, and shipped!

We anticipate that the deinstallation will take somewhere in the vicinity of 200 to 250 man-hours to complete. That will involve everything from the meticulous, white-gloved work of removing artifacts from their mounts to the dirty and dusty job of sledgehammering the walls that were created expressly for the exhibition. It will also involve a lot of cleaning, patching and painting to make the gallery ready for our next exhibition, Remembering Auschwitz: History, Holocaust, Humanity.

Once the dust has settled and the artifacts, furniture, technology, and informational panels make their 364-mile-journey, if Beyond Chicken Soup’s run here is any indication, the Maltz Museum of Jewish History can anticipate 4,749 total visitors, including 1,401 students and teachers, and 791 adults through scheduled groups. Of course, we had the help of more than 25 public programs we hosted while the exhibition was mounted.

If you haven’t seen this one-of-a-kind exhibition, yet, don’t wait! You have only 2 more days to see it here in Baltimore (this Sunday and Monday).

Posted in jewish museum of maryland




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