Last year to mark the 70th anniversary of the liberation of Auschwitz we presented a program with Shiri Sandler on the exhibit developed by the Museum of Jewish Heritage – A living Memorial to the Holocaust in New York titled A Town Known as Auschwitz: The Life and Death of a Jewish Community. Shiri shared the story of town in which Jews had resided for centuries that has come to be known as a symbol of the Holocaust. While we wanted to create a special program for the anniversary year, JMM’s commitment to Holocaust education and fostering a deeper understanding of the impact of that history on our community and wider world is ongoing.
Fron the Kulturebund
For the past ten years we have partnered with the Baltimore Jewish Council (BJC) in leading a highly successful collaborative Holocaust professional development opportunity. Our annual Summer Teachers Institute is a workshop teaching best practices in Holocaust education. Presenters are invited from around the country to share their knowledge and resources with our local educators. This year STI is planned for Monday, August 1st thru Wednesday, August 3rd and will focus on the art of the Holocaust. While the program is geared for educators, it is open to anyone interested in participating. For more information please contact Deborah Cardin at email@example.com.
This February we decided to offer three programs highlighting personal dimensions of the Holocaust story. Last week Susan Sullam shared the story of her father Joel Fisher ,who following the war worked as a Monuments Man locating goods plundered by the Nazis. This Sunday at 1:00pm we have our rescheduled lecture with Gail Prensky titled Playing For Life: Art Under Tyranny, exploring the story of a group of Jewish musicians and artists who survived Nazi Germany. Then next week, in conjunction with Chizuk Amuno, we welcome Jennifer Teege, author of My Grandfather Would Have Shot Me: A Black Woman Discovers Her Family’s Nazi Past for her presentation Discovering A Nazi Legacy: One Family’s Story. You can RSVP for Jennifer’s presentation here.
with Stephanie Satie
We are also in the process of planning one further program in remembrance of the Holocaust for later this year, again in partnership with BJC plus Baltimore Hebrew Congregation. We are very pleased to welcome Stephanie Satie back to Baltimore to perform her one woman show Silent Witness. This performance marks our 10th Annual Herbert H. and Irma B. Risch Memorial Program on Immigration taking place on Sunday, April 10th at Baltimore Hebrew Synagogue. The performance draws upon conversations and interviews with child survivors of the Holocaust and paints an uplifting portrait of human resilience.
Jakob Enoch Rosenbaum Bar Mitzvah from A Town Known as Auschwitz.
And we have begun planning for next February when we will bring together three exhibits connected to the remembrance of this tragic period in our history. First, the project that Shiri Sandler spoke about last year, second, from Yad Vashem Auschwitz Album: The Story of Transport. This exhibit contains the only surviving visual evidence of the process of mass murder at Auschwitz-Birkenau, which comes for a collection of photos taken in 1944 by either Ernst Hoffman or Bernhard Walter, two SS men stationed at the camp. Third, a project combining art and family history. Artist Lori Shocket will join us this summer to help facilitate a series of workshops where Holocaust survivors and their families are invited to develop collages reflecting their individual experiences .The pieces will be combined to create a powerful installation, showing that even in the midst of great physical destruction, the human spirit has the ability to transcend.
November 15th was perhaps our busiest day yet in my six months at the Museum. It was exciting and exhilarating, but also at times hectic. This particular day also gives a good idea of what it can be like to be the Visitor Services Coordinator at the Jewish Museum of MD.
The day began bright and early with the great great grandson of Rabbi Avaham Schwartz leading morning services at Lloyd Street Synagogue. For those who do not know, the renowned Rabbi Schwartz led Shomrei Mishmereth Ha Kodesh beginning in 1908 and remained its leader for the next thirty years. It was so exciting to meet the descendants of Rabbi Schwartz and to see the synagogue active again and filled with the sounds of prayer. The service helped me picture how the space might have been used a hundred years ago as an orthodox congregation.
The LSS in action
A half an hour after the Museum opened to the public, a fourth grade class from Columbia Congregation arrived and they received a tour of the Synagogue and Voices of Lombard Street exhibit. It was refreshing to hear young voices in the Museum and to see them excited about learning about Baltimore’s Jewish heritage. Just as the school group was leaving, another group arrived, this time from Hadassah. They came specifically to see the Paul Simon exhibit.
We then started to get busy with walk-ins for a lecture by Richard Goldstein at 1pm titled “Paul Simon and the Birth of Folk Rock.” I was busy assisting our fabulous front desk volunteers process admission payments while also keeping an eye on the shop. During the lecture, Richard Goldstein focused on Paul Simon’s early career and how his sense of pop music played a crucial role in the transition from folk to rock.
Listening to Richard Goldstein
Just as the lecture was finishing up, descendants of suffragettes including a descendant of Sadie Crockin and Sara Bard Field began arriving for a meeting where they had time to share information about their ancestors and receive a tour of our exhibits.
To wrap up the day, I then joined our Education Director, Ilene Dackman’s, on her inaugural Sounds of the Synagogue tour. It was wonderful to hear clips from a Hebrew prayer service, organ music, a sermon by Rabbi Illoway supporting slavery and recreated conversations from Shomrei Mishmeres. I look forward to hopefully giving the tour in the coming weeks.
In total, we had about 75 visitors come through the Museum plus as additional 125 in groups and rentals. Just when I thought we could not be beat, the next Sunday we had more than 160 visitors and another well attended lecture. I am optimistic that we can maintain this momentum throughout the Paul Simon exhibit and beyond.
A blog post by Graham Humphrey, Visitor Services Coordinator. To read more posts by Graham click HERE.
Last weekend we were joined again by Dr. Arnold Blumberg who delivered another fantastic talk. Still Crazy After All These Years: Classical Monster Mashes was inspired both by our current exhibit Paul Simon: Words and Music and tomorrow nights spooky celebrations.
Monster Mash Cover
Dr. Blumberg predicts that of the novelty songs with a strong connection to Halloween almost 75 to 80 percent were all produced in the same year, 1958. This surprising figure came about as a result of a clever marketing strategy from the makers of many of the classic horror movies. As a result of a rerelease of these movies on TV there was a renewed interest in horror. This eventually led to the production of horror themed novelty songs, as it became clear that these songs had huge earning potential more and more were produced. One of the most successful was of course Monster Mash, but as Dr. Blumberg discusses there were many, many more.
Please enjoy this recording of Dr. Blumberg’s talk and perhaps share with us your favorite Halloween novelty song.