Performance Counts: Ten Years of the Summer Teachers Institute

Posted on September 16th, 2016 by

If you ask the education department at the JMM, they will tell you that the end of the summer is officially over after the Summer Teachers Institute (STI) takes place in early August.  For the past 10 years, the Jewish Museum of Maryland and the Baltimore Jewish Council have partnered in planning this annual event. We just finished up another successful program, Holocaust Remembrance Through the Arts, the 10th Annual Summer Teachers Institute in early August.

A lot of planning goes into this program each year.  While initially conceived in 2006 as a two day program, our annual Summer Teachers Institute has expanded to encompass three full days. The planning staff from the JMM and BJC meets throughout the year to conceptualize and develop the program.  It takes quite a bit of phone calls and meetings to organize this event. This year the program took place at Beth El Congregation, the United States Holocaust Memorial Museum, and the JMM.

Summer Teachers Institute 2016

This year’s program with 43 people in attendance was one of our largest in recent years.  While we did engage repeat participants, the majority of registrants (29) were first time attendees. We appreciated having the opportunity to introduce the JMM to so many educators, many of whom indicated an interest in returning with their students.

The following is a breakdown of attendance:

19 public schools (14 Baltimore City, 3 Baltimore County, 1 Harford County, 1 Frederick County)

7 Catholic school

1 Independent school

3 college professors (Towson)

2 retired Baltimore City teachers

1 homeschool teacher

4 Jewish congregational school

2 students (1 college, 1 middle school who attended with her mother)

4 community leaders (including two JMM volunteers)

Total: 43 participants

The Summer Teacher’s Institute has been such an important education initiative and professional development opportunity for educators over the past 10 years and it is interesting to see just how this program has impacted teachers and the community over the past ten years.

Total Number of Teachers Participating in STI for the past 10 years – 429

Total Number of Presenters Participating in STI for the past 10 years – 86

Total Number of Teachers Teaching in Public School Programs over the span 10 years – 220

Total number of Teachers who Teach in Parochial Schools over the span of 10 years – 64 (50- archdiocese; 14-Jewish)

Total Number of non-k-12 educators who attended the program in the past 10 years – 145  (Including university professionals, agencies, funders, private schools, homeschools etc.)

Summer Teachers Institute 2010

A further breakdown of teachers by district:

Archdiocese – 50

Jewish Schools – 14

Baltimore City – 102

Baltimore County – 46
Harford County – 21

Howard County – 10

Frederick County – 8

Carroll County -15

Garrett County -1

Cecil – 2

Prince Georges County 7

Montgomery – 2

Calvert County – 1

Anne Arundel County -5

Summer Teachers Institute 2006

A closer look over the past 10 years indicates that we have partnered with many agencies and organizations to ensure the success of this important program including:

Claims Conference on Jewish Material Claims Against Germany

AEGON

Robert H. & Ryda Levi Center for Community Relations

Center for Jewish Education

Jewish Community Center

Red Cross of Central Maryland

Baltimore Hebrew Institute at Towson University 

Baltimore Hebrew Congregation  

Chizuk Amuno

Beth Tfiloh

Centropa

Anti-Defamation League

Hillel at Goucher College

The Shoah Foundation

Beth El Congregation

United States Holocaust Memorial Museum

Maryland State Department of Education

Echoes & Reflections

The Jan Karski Foundation

We are especially grateful to our program sponsors, Judy and Jerry Macks and the Klein Sandler Family Fund for their sustained generosity and support of this important education initiative.Evaluation of the Summer Teacher’s Institute is crucial and every year we ask teachers for their feedback.Many teachers receive continuing education credits through MSDE through written reflections outlining how they will incorporate workshop content into their lessons. A review of these reflections provides a window for understanding its impact on participants in terms of increasing their confidence in teaching the Holocaust and other challenging topics as well as on their own personal growth. In the words of one participant:

“So many stories go untold. We have such a responsibility to share these stories, these people, with this generation. I am so grateful for the work done to restore these memories and tireless effort to prevent future genocide. I only hope my effort of partnership through education helps that cause.”

Summer Teachers Institute 2015

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Summer Teachers Institute Redux

Posted on August 22nd, 2016 by

Last week, the JMM held its 11th Annual Summer Teachers Institute (STI) in partnership with the Baltimore Jewish Council and the Maryland State Department of Education.  STI is a professional development opportunity for teachers in the area of Holocaust Education.  The goal of the program is to give educators the opportunity to meet with scholars and experts who are in the trenches of teaching best practices of Holocaust education.   The topic of the Holocaust is so vast, and over the years we have touched on topics of Persecution to Liberation, Rescue and Resistance and Propaganda.  This year’s topic was Art and Remembrance-and teachers learned how the Arts were such an integral part of how many survived through the dark period of WWII and the reign of the Nazis.

Summer Teachers Institute 2016

Summer Teachers Institute 2016

We had phenomenal presenters this year at STI.  Our last day of the seminar included a presentation by Bernice Steinhardt, Executive Director of Art and Remembrance, who spoke about the beautiful tapestries made by her mother Esther Nisenthal Krinitz.  We heard testimony from Mrs. Golda Kalib and we had master teachers in area schools share lessons on the Holocaust they use in their own classrooms.

My favorite presentation on Wednesday was from Gail Prensky and Sarah Baumgarten,  and The Jüdische Kulturbund Project.  From 1933-1941, the Jewish Kulturbund (Jüdischer Kulturbund), consisting of thousands of members at its peak, performed in 42 theatres across Germany. When the Kulturbund closed, some members emigrated or went into hiding; most were sent to the camps. This is a little-known story of the power of music, resiliency of the human spirit, and will to survive. The  Jüdische Kulturbund Project work with educators and music specialists to produce materials and engaging experiences for the classroom.

STI participants

STI participants

Gail and Sarah facilitated a very engaging session for teachers. The mood and scene that these educators set for teachers was tremendous.  For more than 30 minutes, the JMM sounded like a classroom of students, engaged and having fun exploring their environment.  The intention of the program was  to explore issues resulting from the choice artists make everyday living under oppression.  The goals of the program was to encourage discussion amongst the teachers about social and cultural history, theatre, and music- and encouraging educators to think of  how the story the Jüdische Kulturbund is relevant today.

Following the session, Gail shared the video that she took of the teachers having a terrific time engaged in learning.  Enjoy.

ileneA blog post by Education Director Ilene Dackman-Alon. To read more posts by Ilene click HERE.

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Summer Teachers Institute 2016: Intern Thoughts

Posted on August 10th, 2016 by

Art as Resistance

Art as Resistance

One of my favorite learning activities at this year’s Summer Teachers Institute was experiencing a lesson on the Jüdischer Kulturbund. After visiting the Holocaust Museum yesterday, I had learned a little about the Jewish cultural renewal that occurred in Germany in the face of discriminatory laws, and I was left wanting to know more. In perfect serendipity, one of today’s workshops was on exactly that. When all of Germany’s Jewish artists and performers were fired from their jobs, the Jüdischer Kulturbund formed to allow Jewish artists to continue creating, albeit within tighter restraints. We went through a practice lesson, which was designed to show kids how people use art as a form of resistance, and allow them to creatively engage in this idea. We were split up into groups, and tasked to create four pieces of art, each one with an added restriction. In order, they were: You cannot use the color red, you cannot use writing utensils, you cannot use construction paper, and you cannot portray the American flag, but you must represent the spirit of it. The activity was fun, and the wrap up questions afterward were also helpful in making the lesson more meaningful.

During my second semester at college, I taught a twice-a-week class about democracy and grassroots civic projects to middle schoolers, and lesson planning was definitely one of the most difficult parts. On the one hand, you want the students to get your Big Idea and really understand it, but on the other hand, they have to find it interesting and fun. An activity like the Jüdischer Kulturbund one I expereinced today would be the perfect blend of fun and thoughtprovoking. I could definitely see this being adapted to fit my classroom next year, and am encouraged by seeing the Maryland teachers here today share these innovative lesson plans and ideas.

-Emilia Halvorsen


Day One at Beth El Congregation

Day One at Beth El Congregation

The biggest lesson I took from the Summer Teachers Institute program was the difficulty of planning Holocaust education. When dealing with such difficult and distressing subject material, it’s very difficult to stay responsive. My natural tendency when confronted with information about the holocaust is to shut down; I feel that there is so much about the holocaust ingrained in the modern Jewish sub-consciousness that I already know all the raw facts. Rather than just presenting information, the goal of holocaust education should be to illuminate the warning signs of impending tyranny and oppression, and to avoid the mistakes of the past, rather than the revel in the suffering of the past.

–David Agronin


Holocaust survivor Goldie Szachter Kalib

Holocaust survivor Goldie Szachter Kalib

During the Summer Teachers Institute, I was able to hear Holocaust survivor Goldie Szachter Kalib’s testimony about her experiences in Poland and Auschwitz as a young girl. Her powerful account demonstrated the lengths to which she and the adults around her went to keep her safe in the face of relentless Nazi cruelty. She so effectively conjured up the image of her as a Jewish child separated from her family in Nazi-occupied Poland; I will never forget her story. Hearing Mrs. Kalib speak emphasized to me that the victims and survivors of the Holocaust are all people with meaningful life stories, not just figures in photos or statistics in books.

-Alice Wynd


Deborah Batiste presenting on "Echoes & Reflections"

Deborah Batiste presenting on “Echoes & Reflections”

The most mesmerizing part of STI was the combination of stories from the past and how they are being understood today. When we worked together in groups it helped me to understand what it means to be part of a community that does whatever they can to stand in solidarity. It emphasized what it truly means to be a person associated with a history people who have overcome tragedy through finding joy wherever they could. This circles back to the importance of supporting your community so that strength is built up in all the members of that community.

-Rachel Morin


The Real Monuments Men

The Real Monuments Men

For the summer Teachers Institute program I was able to attend two days of the program, the Beth El hosted day and the JMM hosted Wednesday event. I was captivated by the events as they focused on the arts both during and after the Holocaust. I was particularly interested in the sections centering around the cinematography of the Holocaust as it happened and the fiction and non-fiction films/documentaries that emerged years after. I am interested in video and film myself so it was really interesting to learn about the effects of this cinema in the Jewish community.

For instance, I learned a majority of concentration camp footage was from Nazi propaganda, additionally allies used video footage of the camps for propaganda as well. I was also surprised to learn that the making of Holocaust themed movies has been a fairly recent endeavor. Movies I always assumed had some degree of accuracy were also debunked as well others I thought less of such as Uprising had hidden detail I wouldn’t have known about. I was also really interested to learn of one speaker’s story detailing the exploits of her father. He was one of the monetary men serving in WW2 to track hidden Nazi money and stolen art works. Her story about how she uncovered the classified documents in storage and rooted through them until she discovered the character playing George Clooney in the film Monuments Men was in fact her father. Overall it was a very interesting experience that I learned a lot from.

-O. Cade Simon


JMM Education Director Ilene Dackman-Alon welcomes participants at the opening of our 2016 Summer Teachers Institute.

JMM Education Director Ilene Dackman-Alon welcomes participants at the opening of our 2016 Summer Teachers Institute.

This week the JMM hosted the 2016 Summer Teachers’ Institute about Holocaust education.  The theme this year was Holocaust Remembrance through the Arts.  I attended both the first session at Beth El Synagogue and the third session at the JMM, unfortunately missing the visit to the U.S. Holocaust Museum.  It was, above all else, a singularly moving experience to see so many teachers brought together for the purpose of learning how to better pass on the history and the story of the Holocaust in ways that students can understand and deal with meaningfully.  It was also heartbreaking to hear and see so many stories of loss and grief, and knowing that even for those who survived they could never forget.   Even though I don’t plan to go into education, I’ve already made plans to follow up on some of the material I learned about in these sessions and I’ll remember this week for the rest of my life.

-Gina Crosby


"Skokie" and "The Wave"

“Skokie” and “The Wave”

During the summer teacher’s institute there was a lot of information to process. I found the section about Holocaust films especially interesting.  I went to a living historian workshop during the spring and they also talked about the value of using film and T.V. to start a dialogue about history.  It got me wondering about other films that could be used to tell the story of the Holocaust that might not be Holocaust films, such as “Skokie” which is good at continuing the story and showing that Nazi ideology did not die with the end of WW II, or “The Wave” which looks at a high school history experiment gone wrong to try and show students how the Nazis were able to rise to power. I feel these films would help to contextualize the Holocaust and show how its effects continued past the fact.

-Tamara Schlossenberg


Spoken Work Haikus

Participants in "Music and Art: Exploring Responses to Oppression"

Participants in “Music and Art: Exploring Responses to Oppression”

I’m not a teacher, and likely won’t become one, but that didn’t matter. The Summer Teachers Institute, especially the third day at the Jewish Museum of Maryland, was a very enjoyable experience. My favorite part was with Gail Prensky and Sarah Baumgarten during their presentation “Music and Art: Exploring Responses to Oppression.” When I first heard about its interactive nature, I admittedly felt apprehensive. I was tired and wanted another presentation like the first, where I could sit back and enjoy. The thing is, the moment we split up into groups to begin projects, I didn’t feel tired anymore. The presenter split us into groups of five and gave us the choice of either a visual art or musical project with specific restrictions. My group contained two other interns and two younger teachers, and we decided to do the musical challenge of writing a love song without the word love. We bounced around all kinds of ideas, the interns easily joking around with the teachers. Eventually, we settled on writing haikus about the love for humanity. Because this took us so long to decide on, as we were busy jotting down synonyms to love and deciding whether we wanted this to focus on a gentlemen longing for a maiden, or a maiden longing for a gentlemen (I was outnumbered), or whether it should follow the “traditional” haiku format with allusions to nature, we were still scribbling down stanzas while watching all the other groups present (everyone was amazing). Finally, I stood up to recite the spoken word poems, with the guys standing behind me and snapping for the musical element. One of the interns encouraged everyone to snap, and soon the whole room was snapping and grinning. I won’t remember the exact words of the other presenters, no matter how engaging. This experience, however, is something I doubt I’ll forget for a long time.

-Anna Balfanz


Josh Headley on incorporating graphic novels into Holocaust education.

Josh Headley on incorporating graphic novels into Holocaust education.

The Summer Teacher’s Institute took place on August 1st-3rd, the final day hosted by the Jewish Museum of Maryland and was most interesting for me. As an aspiring social studies teacher, the programming and speakers at STI discussed a plethora of topics that I am interested in. My favorite speaker was Josh Headley, the head of the social studies department at Baltimore Polytechnic Institute.

Josh did an excellent job explaining how he has incorporated graphic novels into holocaust education. He went on to explain that by sparking his students’ interest in certain topics, he managed to inspire them to research other subjects that mattered to them. This very simple notion is often overlooked by the public school system and leads to disengaged students. Sir Ken Robinson, a renowned international educator, has said “If you can light the spark of curiosity in a child, they will learn without any further assistance, very often. Children are natural learners.” Josh is exemplifying this concept by giving his students the tools that are necessary to further their education on their own.

The speakers and programs at STI were all beneficial to me and I look forward to using the abilities I gained as a teacher in the near future.

-Ben Snyder

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