Posted on September 24th, 2015 by Rachel
Sandwiched between Rosh Hashanah and Yom Kippur, Ilene Dackman-Alon and I attended the 75th annual meeting of the American Association for State and Local History, held this year in Louisville, KY. It was a great opportunity to tour museum sites, confer with colleagues, discuss industry trends and return with ideas to improve JMM. Here are a few of the highlights:
1. Serving the Visually Impaired – Ilene attended a workshop at the American Printing House for the Blind. Founded in 1858, APH is the oldest organization of its kind in the United States. From 1858 until the Civil War began, APH organized its operation and raised funds to create embossed books. After the war, APH produced its first tactile books. By the early 1870s, APH was operating on a national scale. APH is the official supplier of educational materials to all students in the U.S. who meet the definition of blindness and are working at less than college level. We saw the actual printing of pages with Braille letters as well as the binding of the books.
An APH educator
It was fascinating to hear from museum educators (who happened to be visually impaired as well) about how they experience museums and the importance of making museums accessible to all types of learners using a variety of interactives and engaging materials for all of the senses. I loved seeing all of the different tactile materials that are produced at APH in so many subjects (music, math, science, English arts, social studies). They even showed us the Braille version of the program from President Obama’s Second Inauguration.
A display on music at APH
I was pleased to see that that many of the steps that the JMM has taken to serve the visually impaired under the leadership of Robyn Hughes are in line with best practices at APH. As we move forward in creating new exhibits at the JMM, I hope we can implement some of the ideas such as wheel-chair level chair rails, Braille texts and panels to create a richer museum experience.
Trilobite touch wall at Falls of the Ohio State Park.
Marvin took a tour of neighboring historic sites and also had a chance to see some interesting work being installed at the Falls of the Ohio State Park (just across the river from Louisville) where a firm had integrated tactile exploration into every part of its core exhibit.
2. We also enjoyed hearing the keynote speaker, Sam Wineburg, author of Historical Thinking and Other Unnatural Acts. Wineburg is an educator at Stanford’s Graduate School of Education. He recently developed the Reading Like a Historian Curriculum which has been downloaded over 2 million times. The curriculum engages students in historical inquiry, one of the basic pedagogic skills that is a thrust of the Maryland Career and College Ready Standards and Common Core curriculum. Each lesson revolves around a central historical question and features sets of primary documents designed for groups of students with diverse reading skills and abilities.
Wineburg used the term “digital natives” to describe the generation that has grown up in the digital age. The Internet provide us with so many different websites . One of the questions that he raised, Who is an Informed Citizen in the Digital Age? How much of the information on the web should be believed? Wineburg spoke about “The Digital Tookbox” and questions that one must ask to realize if the information and website really come from a reliable source. He spoke about a case study that took place in Los Angeles, where teachers gave the students three websites and had them write about the reasons for the Holocaust. All three website had not been vetted, and many students took the information on the website as absolute facts. They went on to write essays with claims that the Holocaust never took place.
3. The history relevance campaign – a group within AASLH (among the leaders, Baltimore’s own John Durel) is trying to create energy on a national campaign to promote the value of history. The effort was a response to the marginalization of history as a subject matter, both in schools and in the public conversation about cultural institutions. The organizers are stressing a common vocabulary that organizations like ours can use in making the case for greater civic and foundation support: http://www.historyrelevance.com/#!value-statement/ca2m. In the coming months I will be urging Historic Jonestown Inc., the Greater Baltimore History Alliance and the JMM Board to add our voices to this national movement.
4. A different way of looking at historic sites. The archeologist giving the tour at the Farnsley-Moremen House began his talk by saying “no one famous or important ever lived here, it was not the site of a battle or any other monumental event.” He went on to demonstrate, however, that it was a great site to talk about historical thinking and to engage the public in the process of uncovering history. It caused me to think deeply about the balance we need to achieve between fixing our gaze on the important historic events that took place in our synagogues and on our block – and the illustrations we can offer through these spaces about “how we know” the lives of average Jewish Marylanders.
At the Falls, Jay was just a stiff, at Farnsley-Moremen House he was our very lively guide.
5. “Unfolding Events” – in many ways this was the most thought-provoking session I attended. It was an open forum discussion about how museums could/should respond to “unexpected events” that have strong impacts on the cultural community – examples included Ferguson and Baltimore, the legislative struggle over gay rights that especially impacted Indiana, and the debate over Confederate flags, statues and emblems that is raging within and without Civil War sites. One of the most interesting side-bars was the question of the obligation of museums to collect materials on political and social controversies that impact their respective communities. This is a topic we raised at this week’s JMM Collections Committee.
6. One more honor for Mendes Cohen. Ilene and I have to admit that one of the highlights was taking home the Leadership in History Award for the A-Mazing Mendes Cohen project. What a great tribute to the whole team that put together this incredible project. On the morning of the awards ceremony, Ilene and I staffed a booth explaining the background of the exhibit and living history character. The most bittersweet moment was that nearly everyone who came by the booth said “when can I come and see it” and we had to explain the unhappy fact that the project had expired. It certainly was an inspiration to bring back some of this experience within our new core exhibit.
Our poster presentation
7. Finally – full confession – we also had fun. Marvin attended a workshop on “gamification” of museum content. For someone whose two top passions are board games and museums this was as good as it gets. On Thursday night we took a stroll down “Whiskey Row” – now home to several museums including the Frazier Museum (with a great homemade exhibit and theater program on Lewis and Clark) and the Louisville Slugger Factory Tour. Here you see me holding Mickey Mantle’s baseball bat (but that’s only because Hank Greenberg’s wasn’t available).
A true Louisville Slugger
But by far my most unusual Louisville experience was attending a small reception at the Evan Williams Bourbon Experience. This is the home of a business that proclaims itself Kentucky’s first commercial distiller. It is indeed still a family owned business – except that family is not the Williams’ it’s the Shapira’s that have owned the parent company, Heaven Hill, for seven generations (for those of you who attended the Schnapps with Pops program in June, this comes as no surprise). The tour of the faux factory was entertaining and it ends with a bourbon tasting. I’m afraid the 23 year old bourbon was wasted on my uneducated palette.
Video screens informed you how to properly “taste” the bourbon.
Next year this conference moves to Detroit. I’ll let you know if they let us test drive a Corvette.
A blog post from Executive Director Marvin Pinkert and Education Director Ilene Dackman-Alon. To read more posts by Marvin click HERE. To read more posts by Ilene click HERE.
Posted on June 24th, 2015 by Rachel
Unfortunately, not all exhibits are permanent, and in the case of The A-Mazing Mendes Cohen, there was an expiration date. That date was Monday, June 15, 2015 when Minotaur Mazes (hyperlink: http://www.minotaurmazes.com/) came to pick up their traveling exhibition, and Mendes Cohen would be on his way to a new adventure in Texas. The morning began early as everyone from the museum’s Deputy Director, Deborah Cardin to the summer interns were breaking down the a-mazing maze.
First, Joanna Church, the Collections Manager, and the conservators, moved out the fragile and valuable objects such as Mendes’s flag. Pictured here is Sanchita Balachandran, curator & conservator, using nitrile gloves to handle objects.
Next came down all the panels, both graphic and green, and they were carefully rolled as to not leave any crease marks.
The interactives that all the visitors love to play with were unscrewed from the exhibit, and packed carefully in Styrofoam or even blankets. They were placed in the crate carefully and strategically so that damage would not occur during transportation.
Things got serious when Tracie Guy-Decker, the Associate Director for Projects, Planning and Finance (right), began using a power drill like a boss.
Then the poles were strategically unscrewed and pulled apart bit by bit. For people without a lot of arm muscles (me), the struggle was real.
The poles were also placed in the wooden crates tactically so that when it would be ready to set up in Texas, the poles that would be going on the floor (the foundation) would be the first to come out of the box. That way, the exhibit can literally be built from the bottom-up.
Once we were sure everything was loaded, the top of the crates were screwed in. By Tuesday morning, Mendes Cohen was ready to leave the Jewish Museum of Maryland.
For a smaller museum, we often rely on each other to succeed, no matter what position you have. This was made clear when almost every department head, conservator, intern, and a museum educator, graciously set aside their day to pack up an exhibit. It may not necessarily take a village to de-install an exhibition, but it’s certainly more fun to.
Stay tuned for our upcoming exhibit, Cinema Judaica, opening Wednesday, July 1st!
A blog post by Education and Programs Intern Eden Cho. To read more posts from interns click HERE.
Posted on June 22nd, 2015 by Rachel
Last weekend I gave one final tour of the Mendes Cohen exhibit and the finish to our story is as bizarre and awesome as the life of Mendes himself.
Some very special visitors to The A-Mazing Mendes Cohen.
In our penultimate Mendes Cohen program we invited Dick Goldman, co-chair of the Jewish Genealogical Society to speak about the Cohen family tree. Dick looked at our statement that “Israel Cohen has no known living descendants” as a challenge rather than a fact. Using somewhat unorthodox methods he was able to uncover the fact that Alan Mordecai Cohen III was not the end of his family tree! It seems that Mr. Cohen married a member of Hungarian royalty (surname: Buda) and in compliance with her wishes converted to Catholicism and changed his family name to Clarke.
The newly-named Clarkes raised a son and a daughter, both of whom went on to have children of their own. Alan’s daughter Bertha is still very much alive today, enjoying her eighth decade. The man in the photo above is Bertha’s son, Ronald A. Brown. When Dick contacted Ronald last Wednesday, he discovered that Ronald was in the process of moving from Baltimore to Gettysburg. Dick told him that the exhibit was closing on Sunday – what a piece of timing! So it turns out that the very last visitor to the exhibit was a direct descendant of Israel Cohen, Mendes’ father.
But that isn’t the most incredible part. The most incredible part is that Ronald’s cousin Richard Clarke and his uncle Alan Clarke formed a business called Marcor Remediation here in Baltimore in about 1980. Here is a description of Marcor from the Baltimore Sun in 2006. I have highlighted the part that floored me in red.
Marcor’s primary business is garden-variety asbestos removal and demolition. But in recent years, the company has been the Forrest Gump of environmental cleanup, stumbling into some of the biggest headline-grabbing disasters in recent memory.
Some people make history, and others are witness to it.
Marcor is its janitor.
The company was tearing down walls and removing asbestos in the basement of the Pentagon when terrorists struck with an airliner on Sept. 11, 2001. Days later, its crews were first on the scene at the Fresh Kills landfill in New York’s Staten Island, where hundreds of workers labored for 10 months to sift through every scrap of rubble from the World Trade Center.
During that period, they assisted contractors decontaminating the Hart Senate Office Building in Washington after a second anthrax attack forced lawmakers and staff from their offices. And with about 700 employees spread nationwide, Marcor has been on the scene after just about every major hurricane of the past two years, from Ivan and Charlie to Katrina and Rita.
It’s all in a day’s work for a company that got its first job – removing asbestos from a Baltimore County elementary school – on the day Mount St. Helens exploded in Washington state in 1980.
“It’s almost like, `What is it that needs doing that nobody else is doing?'” said Richard Clarke, who founded the company with his father, Alan Clarke. “And that’s where we want to be.”
It is the ultimate a-mazing finish to the story. Mendes was sent into the powder magazine at Fort McHenry when America is under attack in 1814 to secure the facility from harm. His familial descendant Richard Clarke went into the World Trade Center 187 years later to remediate the explosion when America is attacked again. I thought that this type of coincidence only happened in the movies.
I also learned from Ronald Brown that his grandfather Alan Mordecai Cohen was 6’5” – suggesting he was a beneficiary of the same gene that produced Mendes’ impressive height. Ronald also said that his son possessed a documented history of the Cohens that his uncle created in the 1980s. We’re hoping to get a copy for our collection.
We hope everyone has enjoyed following along with The A-Mazing Mendes Cohen and his continuing adventures as much as we have – he is certainly going to be missed here at the Museum.
A blog post by JMM Executive Director Marvin Pinkert. To read more posts from Marvin click HERE.