Posted on August 14th, 2014 by Rachel
There are due to be some amazing objects on display within our upcoming exhibit, The A-Mazing Mendes Cohen, one of which is the American flag Mendes made during his time in Egypt. The flag is an important part of our collection and has a great claim to fame, probably being the first American flag to be flown on the Nile. Though exciting that the flag will be on display throughout the duration of the exhibit, it was essential to undertake some conservation to ensure no damage comes to the flag.
Last week we had a visit from Michele Pagan, the textile conservator who is working on the flag. She has already done some great work, adding a new backing to the flag that is much lighter that what had been used previously. This layer will also act as a support to the fraying edges and will have a section sewn in to make display of the flag easier. Michele has also added a layer of red silk organza behind the red strips of the flag, giving back some of the color to the flag, without doing anything that could be potentially damaging.
Marvin Pinkert, Deborah Cardin and Michele Pagan with Mendes’ flag
At present the strongest area of the flag is the canton, the blue square, the fabric is in good condition and has lost little of the original color. In contrast the stars are starting to deteriorate, not surprising as they are only made with paper and attached with an adhesive. The stars are receiving some careful treatment from the conservator, a fine layer of silk organza is being sewn over the top of the stars, keeping them visible but offering a little extra support.. This approach is the simplest of the three options presented, but it is also the one which is least likely to prove problematic in the future.
One of the surprising things to hear from Michele was that this is possibly the most fragile flag on which she has ever worked, given that she worked on THE Star Spangled Banner, this is quite a statement! There are a number of reasons for this all of which relate to the conditions in which it was made. Mendes certainly didn’t plan to be making this flag prior to leaving America, it seems whilst travelling in Egypt his patriotism inspired him to create the flag. This means that unlike most flags of the time made of wool, Mendes had to make the most of what he had and so his flag is made of cotton.
The difference in the ways in which the materials have deteriorated comes from the quality of the cotton, the blue is of a higher thread count and was dyed prior to weaving helping it to retain its color. In contrast the red and white are of a lower thread count and it is probable that the dye was applied to the red after weaving resulting in its loss of color. We did wonder if perhaps Mendes had dyed the fabric himself, but based on this letter it seems not, dated May 3rd, 1832:
“10th day … Manfalout containing about 400 inhabitants – bazaars – apricots, cucumbers, apples (small) – purchased red, white and blue cotton to make a flag – returned on board and cut it out, my servant making it”
Packing the flag safely away again, ready for more conservation work.
The flag is a stunning piece so make sure you come and see the great work that has been done on the flag in The A-Mazing Mendes Cohen, opening September 14th 2014.
A blog post by Program Manager Trillion Attwood.
Posted on April 16th, 2014 by Rachel
Part of my role at the museum is to handle the reservations of one of our travelling exhibits, Jews on the Move: Baltimore and the Suburban Exodus, 1945 – 1968. The exhibit has been in storage for several months but is currently on display until April 14th at Beth Israel Synagogue.
In addition to displaying Jews on the Move, we also had an evening lecture there last week about some of the themes it highlights. The lecture, titled Jews on the move: A Conversation, was led by Dean Krimmel, a museum consultant who was a member of the team that developed the exhibit. The talk gathered a great audience and created a huge amount of conversation.
Dean Krimmel at Beth Israel
Dean started the lecture by asking a few questions, and he asked those who answered “yes” to stand. We were asked:
- Were you part of the suburban exodus?
- Were you born here in Baltimore?
- Have you lived here for your adult life?
- Are you a newcomer?
Getting some exercise at Beth Israel!
Unsurprisingly, the first two questions had a huge response, with most of the room standing. The final question, received a much smaller response, but it was interesting to see what people considered a newcomer to be. I knew I certainly would fit within this category, having only been here for a year. What surprised me was that people who had lived here their entire adult life still considered themselves newcomers! However, I quickly learned that, unless you went to high school in Baltimore, some will consider you a lifelong newcomer. This also led to another interesting point: this city is unique in that, when asked “what school did you attend?” you are not being asked about college but rather about high school.
The high point of the evening was hearing all of the conversations that were inspired by the program, both during the lecture and after, around the exhibit. People discussed their memories of moving to the suburbs, the reasons for doing so and some of the restrictions that they faced. Many people had similar experiences with regards to their suburban exodus, especially relating to their experiences with real estate agents.
We were also treated to a little of the history of Beth Israel and its movements by Bernie Raynor.
There was also plenty of reminiscing prompted by images in the exhibit, especially regarding schools and shopping centers.
We also looked at some of the original advertisements for the newly built homes during the suburban exodus.
Overall, everyone had a lovely evening. The chatting continued for an hour after the lecture finished. Everyone shared memories and even remembered some things thought long forgotten.
Blog post by Program Manager Trillion Attwood. To read more posts from Trillion, click here.
Posted on October 2nd, 2013 by Rachel
September 22, 2013
The evening was very relaxed. In addition to the performance, there was plenty of tea, cake and conversation. It seems to have been enjoyed by everyone who was able to attend, and it even brought in a generous donation to the museum.While most things here at the museum are becoming increasingly all about the upcoming exhibit, Passages through the Fire, yesterday, we held one of our premium members events. In addition to the usual benefits, premium members receive invitations to more exclusive events. For this event we planned a salon and tea with a performance of our most recent living history character, Bessie Bluefeld. Bessie was a well known Baltimore figure who, for many years, ran Baltimore’s premium kosher catering company.
The most special thing about the evening was the presence of a number of Bessie’s descendants, from grandchildren to great-great-. There was a wonderful moment after the performance when the family and the museum members discussed their memories of Bessie. Unfortunately, Bessie’s daughter who lives in the area was unable to attend, but we recorded the event on video, so she will be able to share in the experience.
Everyone present had some yummy cake or strudel, one of Bessie’s signature dishes.
There was also a tasty selection of teas.
Some of Bessie’s descendants, grandchildren and great grandchildren.
After the performance: Bessie, performed by Terry Nicholetti and the museum’s director Marvin Pinkert.
A blog post by Program Manager Trillion Attwood. For more posts by Trillion, click here.