Posted on December 6th, 2012 by admin
Louis Shecter as a graduate from Baltimore City College, 1918. Courtesy of Louis E. Shecter. 1974.21.4
Louis E. Shecter (1901-1992)?Collection
Jewish Museum of Maryland
?ACCESS AND PROVENANCE
The Louis E. Shecter Collection was found in the collection as MS 55.? Multiple accessions have been identified as materials donated by and related to Louis E. Shecter and probably incorporated into MS 55: 1973.013; 1974.021; 1975.020; 1982.015; 1985.104; and 1985.105.? However, none of the materials in the manuscript collection can be positively identified with these accessions.? Because of this the collection was given the FIC accession number 2012.061. The collection was processed at some unknown date then reprocessed and given a finding aid in June 2012 by Jennifer Vess.
Access to the collection is unrestricted and is available to researchers at the Jewish Museum of Maryland.? Researchers must obtain the written permission of the Jewish Museum of Maryland before publishing quotations from materials in the collection.? Papers may be copied in accordance with the library?s usual procedures.
Louis Shecter (1901-1992) was born in Baltimore and graduated from Baltimore City College in 1918.? He began work at the Baltimore Sun then left for the Joseph Katz advertising company.? In 1928 he became the advertising director for the Hecht stores until 1931 when he and his brother-in-law, Jack L. Levin, started their own advertising company.? Shecter also began to invest in real-estate and businesses, ultimately owning several theaters (The Rosalyn, The Rex, The Roxy, and The Times ? now known as the Charles Theater).? Other businesses included the Famous Ballroom and two bowling centers.
Rosalyn M. and Louis E. Shecter on their way to London aboard the R.M.S Queen Mary, 1946. Courtesy of Louis E. Shecter. 1982.15.17
In 1939 Shecter married Rosalyn Margareten (d. 2009).? Rosalyn was born inNew York City and attended first Hunter College then later the Maryland Institute College of Art (MICA) for sculpture.? Louis and Rosalyn had three children: Alan, Mark and Alyce.? In 1961 Rosalyn was appointed vice chair of the Maryland Board of Motion Picture Censors.? Rosalyn focused on preventing children from being exposed to adult content in films, and she played a minor role in the implementation of the current movie rating system.
Louis Shecter was involved with a number of political figures and also became a collector and promoter of the arts.? Shecter died on November 9, 1992.? Rosalyn died on November 24, 2009.
SCOPE AND CONTENT NOTE
The collection is divided into three series: Series I. Louis E. Shecter, n.d., 1921-1985, Series II. Rosalyn Shecter, n.d. 1931-1984, and Series III. Children and Grandchildren, n.d., 1949-1983.? Series I. is further divided into eight subseries: Subseries A. American Jewish Congress, n.d., 1957-1983, Subseries B. Business, n.d., 1924-1984, Subseries C. Politics, n.d., 1944-1985, Subseries D. Genocide Convention and Civil Right Activities, n.d., 1954-1981, Subseries E. Charitable Contributions, n.d., 1945-1985, Subseries F. Art Collection, Museums and Culture, n.d, 1953-1983, Subseries G. Personal Correspondence, n.d., 1921-1984, and Subseries H. Misc, n.d., 1932-1984
Louis Shecter with Ladybird Johnson, 1962. Courtesy of Louis Shecter. 1975.20.33a
Series I. Louis E. Shecter, n.d., 1921-1985 contains correspondence, programs, clippings, and writings related to Shecter?s business dealings, civil rights activities, charitable contributions, art collecting, and personal life.? The series is divided into eight subseries. Subseries A. American Jewish Congress, n.d., 1957-1983 contains correspondence, press releases, newspaper clippings, meeting minutes and programs related to Shecter?s work with the American Jewish Congress in Baltimore.? Subseries B. Business, n.d., 1924-1984 contains correspondence and clippings related to Shecter?s work with the Joseph Katz advertising firm, the Hecht Company, his own advertising firm, his real-estate ventures, the Advertising club, etc. Subseries C. Politics, n.d., 1944-1985 contains invitations, correspondence, clippings and programs related to Shecter?s interaction with politics and political figures at the local and national level. Subseries D. Genocide Convention and Civil Right Activities, n.d., 1954-1981 contains correspondence, clippings and talks related to Shecter?s work promoting the Genocide Convention and Civil Rights.? Subseries E. Charitable Contributions, n.d., 1945-1985 contains correspondence, clippings, invitations, etc., related to Shecter?s involvement with charitable organization and his own charitable contributions.? Subseries F. Art Collection, Museums and Culture, n.d, 1953-1983, contains correspondence, newspaper clippings, lists, newsletters, magazines and minutes related to Shecter?s art collection activities, his donation of art, and his interactions with museums and other cultural institutions and organizations. Subseries G. Personal Correspondence, n.d., 1921-1984, contains Shecter?s personal correspondence including a collection of letters (photocopies) to and from H.L. Menken.? Subseries H. Misc, n.d., 1932-1984 contains membership materials to the Masonic Lodge and Beth Tfiloh, invitations, play programs, writings, etc.? All of the materials are organized alphabetically within each subseries.
Louis Shecter and Senator Edward Kennedy reviewing a painting of President Kennedy and Governor Tawes at the opening of JFK Highway. Courtesy of Louis E. Shecter. 1975.20.25a
Series II. Rosalyn Shecter, n.d. 1931-1984 contains correspondence, diplomas, booklets, publications, newspaper clippings, scrapbook pages and genealogical material related to Rosalyn?s education, work and family.? A large portion of the collection relates to Rosalyn?s work with the Maryland State Board of Motion Picture Censors.? The folders are organized alphabetically except for the genealogy materials which are placed at the end of the series.
Rosalyn Shecter being sworn in as chairman of the Maryland Board of Motion Picture censors, 1968. 1974.21.18a
Series III. Children and Grandchildren, n.d., 1949-1983 contains correspondence, invitations and writings related to Louis and Rosalyn?s children and grandchildren.? The series is arranged alphabetically.
Rosalyn, Louis, Alan and Mark Shecter, 1950's. Courtesy of Louis E. Shecter. 1974.21.20
The American Jewish Historical Society and Syracuse University Library both have Louis E. Shecter Manuscript collections.
Louis Shecter with Israeli athletes at the Olympic Games in Helsinki, Finland, 1952. Courtesy of Louis E. Shecter. 1975.20.1
Posted on October 18th, 2012 by admin
Eddie Rosenfeld painting a canvas in a field. Courtesy of Licien Harris. 2001.57.1
Edward Rosenfeld, 1906-1983
Papers, n.d., 1876-1982
The Jewish Museum of Maryland
Black and white photo postcard with Edward Rosenfeld, center, and two other boys, n.d. Courtesy of Licien Harris. 19184.108.40.206
ACCESS AND PROVENANCE
The Edward Rosenfeld Papers were donated to the Jewish Museum of Maryland by Licien Harris in 1998, 2000 and 2001 as accessions 1998.147, 2000.072, 2000.134 and 2001.057. The collection was reprocessed in November 2002 by Robin Waldman and Erin Titter. MS 57 originally contained only the 2000.72 materials.
Access to the collection is unrestricted and is available to researchers at the Jewish Museum of Maryland. Researchers must obtain the written permission of the Jewish Museum of Maryland before publishing quotations from materials in the collection. Papers may be copied in accordance with the library's usual procedures.
Edward (Eddie) Rosenfeld was born in Baltimore in 1906 and lived in Walbrook. Eddie had two or three brothers and two sisters, but he never married. Eddie's father had a shoemaker shop on Baltimore Street. Eddie had an early job as sign painter's apprentice, and went to Maryland Institute College of Art for about one semester. During the war, Eddie had a job in Washington, DC framing pictures. Later, Eddie returned to Baltimore and rented and subsequently bought a house on Tyson Street before the house was renovated and the neighborhood was revitalized. He was long known as “The Mayor of Tyson Street” due to the regentrification of Mount Vernon that Rosenfeld was integral in initiating in the 1940s. A group of artists including Carl Metzler, Aaron Sopher, Reuben Kramer, Jacob Glushakow & Eddie would meet regularly there to paint and critique each other's work. Eddie was also a part of a weekly lunch group with Jim Brady, Donald Proctor, and Dr. Neustadt, who met at the Belvedere Hotel or Rosenfeld's house. Rosenfeld’s works are owned by many known repositories of art, including the Jewish Museum of Maryland, the Baltimore Museum of Art, and the Phillips Collection. When Eddie Rosenfeld died in 1983 he donated his body to science and was subsequently buried in Spring Grove Cemetery.
Edward Rosenfeld in doorway of house on Tyson Street in Baltimore, n.d. Courtesy of Licien and Barr Harris. 2000.134.3
SCOPE AND CONTENT
The Edward Rosenfeld Papers represent the life of Baltimore artist Edward Rosenfeld. The collection is divided into two series: Series I. Documents, n.d., 1876-1982. Series II. Photographs, n.d., 1917-1979.
Edward Rosenfeld and Callie Cochran with three teenage girls looking at a poster for the Equal Opportunity Commission, n.d. Courtesy of Licien Harris. 2000.72.33
Series I. Documents contains scrapbook materials that Rosenfeld gathered both about his artistic career and about his Tyson Street neighborhood. Further notable inclusions are several sketches by Rosenfeld, a drawing by Jacob Glushakow, and a print by Jane Dwyer.
Series II. Photographs (housed as MS 57 Box 3) contains photographs of Edward Rosenfeld, his mother, family members, his paintings, his work with the Equal Opportunity Commission, his childhood home in Walbrook, and his home at 913 Tyson Street. Folders are arranged alphabetically by folder title.
Edward Rosenfeld painting a water scene while standing on a dock, n.d. Courtesy of Licien Harris. 19220.127.116.11
Posted on April 23rd, 2012 by Rachel
A Blog Post by Senior Collections Manager Jobi Zink
While I was home for Passover, we went to New York City to visit the Metropolitan Museum of Art.
My AAM card got me in for free (saving $20 suggested admission fee). My dad used in old teacher’s pass and he, Jordana and Eric also got in for free.
We specifically went to see The Steins Collect: Matisse, Picasso, and the Paris Avant-Garde. This temporary exhibition occupies nine galleries on the third floor and is absolutely amazing! Gertrude Stein and her brothers Leo and Michael, and sister-in-law Sarah lived in Paris during the early 20th century. Although they did not have a lot of money, they were interested in purchasing art. They amassed a tremendous collection of works by young, talented, and virtually unknown artists including Pablo Picasso and Henri Matisse.
The Steins hung the works salon-style in their 460 square foot studio in Paris at 27 Rue de Fleurus, represented in a full size at the beginning of the exhibition. In order to accommodate new acquisitions, they frequently moved and rearranged their artwork. Fortunately, the Steins also took photographs of their various installations. The curatorial team relied on over 400 photographs to curate the exhibition. Eric particularly enjoyed the juxtaposition of the exact paintings that were documented in the large photomurals in each of the galleries.
The Steins opened their apartments on Saturday afternoons, allowing visitors to see their collection, shaping art appreciation for future generations. When the Steins found themselves low on funds to buy more art, they would sell pieces of their collection. Clara and Etta Cone of Baltimore were frequent buyers, and thus it was not surprising that several pieces on display were on loan from the Baltimore Museum of Art. http:///www.artbma.org/collection/overview/cone.html
Picasso’s famous portrait of Stein reminded me of a line from The Paris Wife by Paula McLain where Gertrude Stein plays prominently in shaping Ernest Hemingway’s writing career. In the book Hadley and Ernest wonder, “How much do you think Gertrude’s breast weigh?” My father used the audio tour and found that it provided more information than the text panel about the rift between Gertrude and Leo.
Photography is not allowed in the exhibition, but the link below will provide you with highlights from the exhibition.
After the signing exhibit me I’ll when I separate ways and explore different parts of the museum. My dad was enthralled with the painting of Napoleon at battle. http:///www.metmuseum.org/Collections/search-the-collections/110001498
Eric spent two more hours in the hall of armor.
Eric poses with Henry VIII armor
My sister and toured the American Period Rooms –installations of original furnishings and structures from of the most impressive homes in the country. My sister was particularly taken by and tables and other large furniture created by the Harter brothers, well I enjoyed paintings by Thomas Dewing, Tiffany lamps and Frank Lloyd Wright’s Prairie style home.
This is the side of the Vanderbilt library table with mother-of-pearl inlay by the Harter brothers.
We all enjoyed the temple of Dendur installation – an actual in Egyptian temple that was saved in 1965 before the Nile River was intentionally flooded.
As you can see, even if you don’t have a free pass, the museum is well worth it!